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Three Caves

Part of Serbia below the Danube River is pretty mountainous, with complex geology, especially in the eastern parts where the Carpathian and Balkan mountains collided and over eons formed the Serbian Carpathians, with a total of 14 independent mountain ranges in existence today. These rocks date back to the Proterozoic Eon (2.5 billion–541 million years ago), with limestones and dolomites mainly formed from the late Jurassic to early Cretaceous, around 100 million years ago. There are dozens of large caves within these mountains, and many have tourist paths built to visit and admire their beauty and history. Two of them we visited last week, and they both gave us extraordinary experiences and impressions.


However, the first cave in this blog story belongs to the one formed in the foothills of an ancient volcano of the nowadays mountain of Bukulja in western Serbia, although the recent paper posted a theory that the mountain is much younger (15 million years ago) and instead formed in tectonic processes. Whatever the case, the Risovača cave is definitely unique in the Balkans and probably on several occasions hosted families of Neanderthals during the Late Pleistocene era. Numerous tools from this period similar to those found within other Neanderthal sites across Europe are found here and preserved for display in local museums. Like with other groups, and due to small numbers overall, Neanderthals most likely went extinct due to assimilation with modern humans in a process called "bred into extinction". More about it I wrote in Neanderthals, Humans and Shared Caves.

During the same time, the cave hosted various dominant animals from the same period, like cave lions, hyenas, and bears. This image is from the local museum of Arandjelovac, and its special space is occupied by the cave bear, fully assembled from the bones found in the cave. The bones belonged to more than one animal and formed a skeleton up to three meters high, which was approximately the average height for the cave bears. Those behemoths could go up to 1 ton in mass and 3.5 meters in height.


In the Balkans, during the last couple of millenniums of coexistence of Homo sapiens and Neanderthals, our ancestors lived mainly along the rivers, especially the Danube to the north, while Neanderthals occupied more inland territories, no doubt in the vicinity of caves like this one. There is strong evidence that Neanderthals buried their dead, most likely not in the caves themselves, which is the main reason for the lack of human remains excavated to date.

Compared to the Risovača, two other caves, Ravništarka, named after the nearby village, and Lazar's cave, named after a rebel man who found shelter there in the time of the Ottoman Empire, stand out with their natural beauty rich in cave jewelry and mineral formations. 


Ravništarka cave is pretty long and one of those river caves with the small stream flowing its entire length. The water dug the whole canal of around 500 meters, and the mountain minerals did the rest. Numerous stalactites and stalagmites decorated the tourist path, like the one in this image, in the shape of a flying horse. Dozens of other pareidolia-decorating wall formations are made of glittering calcite, which under the LED lights gives the amazing feeling of surreality. 

Lazar's cave on the other end, with its large entrance, is probably hiding more history than it is currently known. For its wide space within, it has always been the center of human activity ever since the Copper Age. During the Bronze Age, Lazar's Cave played the role of a hunting station, and in the Iron Age it became a center of metallurgy. Even in recent history, the cave attracted people for multiple reasons. Numerous legends are circulating around, with one claiming that lots of Serbian soldiers hid inside after surviving the battle of Kosovo and the defeat by the invading army of the Ottoman Empire on June 15, 1389. 


Even though the caves could be crowded with tourists, we had luck that all three were free of charge at the opening hours, and browsing the mysterious caverns alone added an extra feeling afterwards. Somehow it felt like we traveled back in time, and all the sites inside caves seen in pristine condition looked unearthly beautiful and alien.

The following photos and videos are the best we could do with modest smartphones in dark light conditions, but some of them turned out really phenomenal.

Risovača cave:
https://photos.app.goo.gl/ienEnC1xypJBdNut7
https://www.youtube.com/watch?v=qwEWXtFiKhE
https://www.nmar.rs/en/risovaca-cave/
 

Serbian Vampires

It was a foggy day on April 6, back in the year 1725, when angry villagers of the rural hamlet of Kisiljevo, Serbia, opened the grave of their neighbor Petar Blagojević, who died eight days before. His death was followed by a spate of nine other sudden deaths and numerous claims by the victims of being throttled by Petar at night. When they cracked the casket open, features associated with vampires, just like they anticipated, were indeed present: the body was undecomposed, the hair and beard were grown, there was a mixture of new skin and nails along with old ones peeled away, and there was blood flowing out of his mouth.

The villagers were accompanied by an official of the Austrian administration (the Austrian Empire governed the area in the early 18th century) and a local priest. The entire case was documented and reported to the officials and covered by Die Wiener Zeitung, a Viennese newspaper, on July 21st. At the time, vampirism was fully embedded into Serbian folklore with numerous Slavic legends and the old village stories from centuries before, especially during harsh times of Turkish occupation. In the aftermath, with the consent of the authorities, they stabbed Petar's heart with a hawthorn and burned the body.


Petar's case was by no means an isolated phenomenon of vampirism in Serbia. Only one year later, in a different village, about one hundred kilometers to the south, a man called Arnaut Pavle came with an even more colorful story. He was a known rebel against the Ottoman Empire who had escaped to the village from the Turkish-controlled part of Serbia, where he had been plagued by a vampire, by his own claims. Allegedly, he had cured himself by eating soil from the vampire's grave and smearing himself with his blood.

Unfortunately, he died soon after during summer labor—he broke his neck in a fall from a hay wagon. In the following weeks, four people claimed to be plagued by him and died shortly after. Similarly to Petar, after the villagers opened his grave, they saw his body unchanged with the same vampire characteristics. The story said when they drove a stake through his heart, he released a frightful shriek as if he were alive. They cut off his head, burnt the whole body, and performed the same procedure with four victims as well to prevent them from becoming vampires as well.


The most respected Serbian philologist and linguist, Vuk Stefanović Karadžić, one of the most important reformers of the modern Serbian language, did thorough inquiries of the old tales, and in his ethnographic research "Belief in things that do not exist", he mentioned vampires as dead people with devilish spirits who enter and revive them after 40 days if their souls are not accepted in the afterlife. The tales indeed contain instructions on how to deal with undecomposed bodies if found in graves, especially those swollen and reddened by what seemed to be human blood. In that illiterate era of the middle ages, when lots of legends and stories in fact survived merely in oral form and transferred from generation to generation only as bedtime stories and were never written down, there is no doubt that colorful fiction is always an inevitable part added to real historical events. More or less, even today, everything in life and death not fully understandable receives fictitious and mysterious additions, especially from religion and vivid human imagination.

Almost three centuries before, back then in the 18th century, little was known about what happens to the body after death. Postmortem purge fluid is one of them. In modern forensics, it is a natural byproduct of decomposition, a reddish blood-like fluid that may or may not exude from the oral and nasal passages after death. Burial in a physical environment (temperature, moisture, and soil properties) with a high deficiency in oxygen often results in slow microbial growth and therefore slow decomposition itself. The body condition is also a factor in the process, as is the nature of the microbial community itself. If we implement all the scientific and medical knowledge of today, it is much easier to separate fiction from what really happened in the Middle Ages. Today we even know a great deal about clinical vampirism, known as Renfield syndrome, which in psychiatric literature is defined as an obsession with drinking blood, and several medical publications are actively concerning themselves with clinical vampirism in scientific literature as well as in forensic psychiatry.


However, on the other side of the science, fiction had its own evolution in past centuries, and vampires received the great portion in written horror stories and movies as well. The word itself in the literature was derived in the early 18th century from the Serbian 'vampir' (Serbian Cyrillic: 'вампир') but it's usage in Serbian folklore is much older. Almost all the old cultures encountered vampirism in one way or another, especially in the old Slavic paganism. There were also beings known as 'lamia/empusa' in old Greek/Roman mythology, with shape-shifting blood-sucking vampiresses, 'baobhan sith' - a female blood-sucking fairy in old Scottish tales—and many others.

Horror fiction with vampires in the fore/background is not actually my top-notch genre, but from time to time some extraordinary work emerges among all the mediocrities, and 'Constantine's Crossing' by Dejan Stojiljković is just that. The novel is following a main character just before the end of the second world war in occupied Serbia. Almost all the action is in my own town, where I am living ever since my birth, and the main premise summarizes the Nazis in a search for the great secret of Constantine the Great, who was the best-known man ever born in this neighborhood in the late 3rd century AD. The author is also native to the town of Niš, known by the name of Naissus in Constantine's time. What is the best about the book is that Dejan Stojiljković is perfectly embedding the horror plot into real historical events and people, and perhaps the only downside of the novel is that it is too short for that many characters involved, but nevertheless it was by far the best horror novel I read in a while. The accompanying graphic novel is amazing as well, and I warmly recommend both. Below in the ref section, there are more stories related to Naissus, Constantine, and WW2 in this part that could help with understanding the background better.



Medical refs:
Serbia refs:
https://en.wikipedia.org/wiki/Vampire 
 

Adventurous Travels for 6th Graders

Geographically lying in the heart of the Balkan peninsula, the small town of Svrljig is acting as the capital of a relatively small Serbian land surrounded by exactly 38 villages that are, demographically speaking, living their lives on the edge of extinction. In just half a century, the human population of the area is more than halved, with more and more 'haunted-like' villages containing more empty houses than those with smoked winter chimneys, in which more people die than are born. The past of the area went through numerous changes over time and was pretty colorful, to say the least. Like everywhere else, ever since the written literacy spread its wings only a millennium ago, the history of Svrljig is pretty well documented ever since the great Schism of the 11th century, and we pretty much know what it was like to live here down to that time.


But history goes even further in the past—to those times we know little about, and all we have are a ruin here and there we can try to understand and build a time frame and story behind it. If you want to explore such sites and build a speculation or two standing in the middle of a stone pile that once was a dignified wall of an ancient villa or a military tower of thermae, Svrljig is a perfect place to start with. Moreover, if you want to experience nature at its greatest and to stumble upon sites of pure beauty just next to the modern ruins of almost empty villages and barely standing houses in contrast, you are just where you want to be. If you are a 6th grader with your own Indiana Jones hat and modern GoPro camera, even better.

Historically and in every way considered, the grand jewel title of all the Svrljig adventurous travels goes to the gorgeous Niševac gorge. This was the prime location of ancient life, lying just next to the Roman main road connecting the Adriatic Sea and Danube River, wide enough to carry a luxury chariot without heavy disturbance from the built stones and strong enough to support the passage of the heaviest army of the time (there's evidence of the First Cohort of Cretans stationed around here). The gorge was an ancient spa once with strong mineral springs with healing properties perfect for a settlement that once existed and was named Timaco Maiori (Timacum Maius). The road and the town were recorded by Tabula Peutingeriana, an ancient Roman road map with its seventh section along the way of the ancient cities of Lissus, Naissus, and Rataria. The mineral springs and wellheads no longer exist today due to violent geological events in previous millennia, or they are just depleted by now, but the beauty of the ancient site is still alive, and it is not hard to imagine what it once looked like.



The ruins go even further in time in this area with archaeological evidence of Paleo-Balkan tribes. Before the Romans, this area was once home to the Triballi, a Thracian tribe that lived in the same times as the Celts, Scythians, and Illyrians in the prehistory of Southeastern Europe. Along with all the other extinct Indo-European people and their languages of the Balkans, Triballi fully dispersed during the Hellenization, Romanization, and Slavicization of the region over the eons. It's maybe harsh to say, but most likely Triballi, just like other people who lived here and built their settlements ever since the Neolithic, are now only part of our genes and heritage; we have no substantial knowledge of.

But to get back to the travel itself, we had luck this summer since the railway was closed and traffic-free due to maintenance and rail replacement, and while hiking Niševac gorge, a 1.5 km-long canyon carved in calcium carbonate rocks from the Mesozoic period, we took the chance and stood on the Milutin Milanković bridge, 15 or so meters above an ancient river, designed at the dawn of the first world war by one of the most famous Serbian scientists.



The river name originated back to the Triballi people, who were the first to name it Timahos, which is just one of the words from an extinct Indo-European language that more or less means 'black water'. This particular stream is just one of five rivers that bind together into one of the biggest tributaries of the mighty Danube. The Romans used to call it Timacus or Timaco, and the name stayed until today with the Serbian version of Timok. Our next stop on this summer's travels was exactly 25 kilometers upstream, not far from the spot where the river springs into life. The place is called Pandiralo, and it is literally one of a kind natural phenomena where Timok sinks into a cave and appears again about 750 meters later with around 30 meters of difference in altitude. The legend says the cave goes even further under the mountain and connects other streams as well, but this is still unknown to this date. It was also a one-of-a-kind opportunity to create three messages in the bottle, which Viktor threw into the pit, and hopefully, when the water rises, they will sink with the river, and maybe somebody will find them in the future. Who knows, maybe they will appear somewhere unexpected.

Finally, and unrelated to the river, we also had a short trip to the Samar cave entrance (Milutin’s Cave in the village of Kopajkošara on the slopes of the Kalafat mountain, some 15 kilometers west of Svrljig) and the natural Popšica pool close by. The cave earned its nickname after Milutin Veljković, a well-known Serbian speleologist in his time, who, starting in the year 1969, spent 464 days in the cave, breaking the world record in bivouacking in an underground space. While we didn't enter the cave, as it requires special equipment and guided help, we still had a unique experience of the site, which we are hoping to visit again for a more thorough investigation, including passing through the entire cave from end to end, but I am afraid this is a little bit above the pay grade of 6th graders, and we will have to wait for a year or two. Or three. Or even more.



Svrljig neighborhood and the town itself are one of those inspirational destinations with the power to hook you for years of returning trips, and the beauty lies in the wilderness of the whole experience. There are no fences or limited areas here, and the only guide is yourself and your wanderlust gene. The food in restaurants is divine, and the mountain air comes with healing abilities if you stay long enough. The Svrljig area extends to the east to the famous Balkan mountains, the backbone of the largest peninsula of southern Europe, with more sites that come naturally enriched with a variety of elements, including uranium ore.

I am definitely affected by the Svrljig geography and history as well, to the level that one of my science fiction stories included this particular area as the main plot for Arty's adventure. If you are eager to explore the story, it is based on "Serbian Kryptonite", the Jadarite mineral with a chemical formula similar to the formula invented for the fictional substance kryptonite in the 2006 film 'Superman Returns'. The story is the final chapter of the FAR-T1 novel you can find on the blog.

Location and Character of Timacum Maius
https://www.academia.edu/5901475/.../Location_and_Character_of_Timacum_Maius

Traces of the Roman Naissus–Ratiaria Road
http://www.doiserbia.nb.rs/img/doi/

Milutin Milanković
https://en.wikipedia.org/wiki/Milutin_Milankovic

Tabula Peutingeria
https://upload.wikimedia.org/wikipedia/commons/1/1d/Extends_of_the_Tabula_Peutingeria.png

Tabula Peutingeriane VII (nowadays Serbia)
https://sr.wikipedia.org/wiki/Tabula_Peutingeriana_Serbia.jpg

The First Cohort of Cretans, a Roman Military Unit at Timacum Maius
https://www.academia.edu/.../The_First_Cohort_of_Cretans

Samar Cave Adventure
https://naturetraveloffice.com/en/avanture/caving/avantura-samar/

Samar Cave, a forgotten jewel worthy of Guinness record
https://www.itinari.com/samar-cave-a-forgotten-jewel-worthy-of-guinness-record-knx9
 

Fairies of Naissus

In pre-Christian mythologies of the western and northern tribes and their pagan beliefs, female deities were not uncommon. Take, for instance, old Gaul's Matres or Valkyries of the old Norse mythology and, of course, all the goddesses from the history of all polytheistic religions around the globe. But perhaps the most interesting of them all are, you guessed it, the fairies. They are not actually deities per se and rather belong to the spirit realm of the afterlife and dead, but still you can find them, in one form or another, in almost all religious legends and myths. The city where I was born, the valley it resides in, and the river that splits it in half are no different. The history of this area is, metaphorically speaking, very colorful and full of wonders, all the way to the beginning of the Neolithic era, and over the centuries this valley literally saw lots of different cultures and deities. One of them dates way back to the Celtic Gauls and their tribe named Scordisci, who lived in this neighborhood almost 24 centuries ago. They were the ones who named the river and the first settlement Naissa/Navissos, which pretty much means 'the river and town of fairies'. Whether or not this area in BC was flooded with fairies, or perhaps the geography of it resembled their beliefs, or even the very "Celtic Otherworld" was pictured and portrayed like our own neighborhood, the name survived for centuries, and despite numerous conquerors and different cultures, the fairies stayed in the name and the 'spirit' of the town all the way till today. Perhaps the first document that 'officially' coined Celtic's name was published in Alexandria by the famous Claudius Ptolemy in his masterpiece 'Geography' (around AD 150), in which he mentioned Ναϊςςός (Latin: Naissus) as 'first among the four largest towns in Roman Dardania'*.

Kristine Opolais in Dvořák’s 'Rusalka' - The Met Opera***

When I said the town inherited not only the 'fairy tale' name but also the spirit that it is still living in legends and myths, what I really had in mind was one particular spot on the northern hill named 'Metoh' and the outskirts of the town where, almost throughout the millennium, stands a ruin of an old temple built on that particular spot by one of the Byzantine emperors in the 11th century. The official name of the temple was 'Holy Trinity Church', but over time it earned the prefix 'Rusalija', which pretty much originated from old Serbian folklore and, no doubt, connects the church with Rusalkas, mythical water nymphs or female spirits from old pagan Slavic mythology. In some Slavic languages, Russian included, the word 'rusalka' translated to English literally means 'mermaid'. This variation of immortal creatures from the spirit world is completely opposite from the 'Tinkerbell' kind of fairies; instead, they could be very malevolent and dangerous young undead girls who died in or near a river or a lake and spent eternity haunting the waterway. With their long red hair and beautiful appearance and singing, they lure young men into the depths to their deaths. In Serbian stories, even hearing their song results in immediate deafness. They are the most deadly for an entire week, 50 days after Easter, which comes in late May or early June every year. As it seems, legends say that they are only afraid of wormwood and garlic, so try to have them with you if you are a true believer.

'Holy Trinity Rusalija' - abandoned temple from 11th century

Well, we didn't have any garlic in our pockets last November when we visited the church, and I truly hated my curiosity when I read about Rusalkas before we drove there. Sometimes it is extremely wise to read about horror myths after you visit the spot where these malicious fairies live. Firstly, the site was eerie—the church is abandoned, and to get to it, you have to drive through the old graveyard. People seem to visit the place only once a year, during 'Holy Trinity' week. Secondly, the weather was way too windy and spooky, and I had to engage all my driving skills to enter the churchyard; the car simply didn't want to enter due to the poor quality of the stone entrance and kept rolling backwards. Thirdly, it was almost sunset, part of the day usually identified with 'twilight hour'. When we finally got inside, my wife refused to get out of the car, and in a couple of minutes of intense bravery, only Viktor and I went out to take a couple of photos. Needless to say, the feeling was truly cheerless, and the only bright part of the site was the view. The location was perfect, and we glimpsed the entire city with a large orange sun on the horizon, and I finally took one of the best sunsets in our collection along with great shots of the little temple itself. Confidentially speaking, if Viktor didn't bring his plastic gun toy, we would probably stay less time listening to that spooky Rusalka's songs... or heavy wind whistles... or whatever it was. Although I would be feeling much safer with a couple of garlic cloves... Ahem ...

The sunset from the 'Holy Trinity' church (Metoh hill)

However, besides city and river names, the history of this area in BC is not very well documented, archaeologically speaking, and even though there is plenty of evidence and finds, before Ptolemy's reference, nothing is certain. But the names are always interesting, and as they survive millennia, there are many speculations of their origin. Celtic 'Navissos' is no doubt related to fairies; I mean, even the word 'fairy' was coined by ancient Gauls in what is nowadays France, and the root is in the Old French word 'faerie', which means 'enchantment' or 'under the spell'. However, even before the Celtic invasion of the Balkans in the 3rd century BC, this land was populated with various forms of societies and civilization. It lies on the crossroads between north and south and west and east, and as I described in post Constantine & Naissus, it was always under siege or some sort of raid. Due to this geographic misfortune, one tribe never managed to rule this area for, relatively speaking, long periods of time. Before the Celtic tribe of Scordisci, who stayed here after the Celts retreated from the invasion of Greece, the land was occupied by people of Dardani, who originated either from an estranged Illyrian tribe or, as some scholars suggest, directly from the ancient city of Dardania, located next to the city of Troy, as described in Homer's Illiad, who moved to the Balkans millennia before AD. Even before Dardani's rule, at some point in the 4th century this area was raided and occupied by Triballi tribes, and if you add Greeks and Romans and constant threats from Goths and Huns from the north and far east, you'd get the picture of how unwise it was to settle around here in ancient times. Anyhow, the point is that almost everybody managed to spend some time here and to contribute a little in those violent times. Or, to be precise, to contribute to everything but changing the original name that stayed the same from the very beginning.

Niš downtown by the old fortress and Nišava river

So let's try to summarize the names from all those conquerors over time: Navissos, Ναϊσσός, Naissus, Nais, Niş, and Niš, all of them related to fairies in different languages. Perhaps the most interesting connection with the name is during Greek rule, especially from the golden prosperity times of Macedonian expansion at some point centuries before Christ. In Greek mythology exists the famous mountain of Nysa, which was the traditional place where the rain nymphs (Hyades) raised the semi-god Dionysus, who was one of those bad guys from Olympus—the god of wine, ritual madness, and religious ecstasy. And to quote Wikipedia, Dionysus represents everything that is chaotic, dangerous, and unexpected, everything that escapes human reason and that can only be attributed to the unforeseeable action of the gods. I guess there is no need to add that one hypothesis of the location of Nysa (which is still unknown if it's not made up) is within ancient Tribalia or, pretty much... this neighborhood again. Tribalia and triballian tribes were located entirely in what is nowadays Eastern Serbia, which borders the Niš Valley and its northeastern mountains. By the myth, and just like their half-sisters, sea-nymphs Pleiades and rain-nymphs Hyades were transformed into a cluster of stars that was afterwards associated with rain. So if you look up on a bright starry night and see the Hyades in the constellation of Taurus, which is the nearest open star cluster to the Solar System, remember that their five brightest stars might have been living just around within my north neighboring mountains in their... fairy existence.

Ivan Kramskoi, Русалки (Rusalki), 1871

Of course, Greek mythology doesn't end this story about the origin of the name of my birth town with fairies. Even in Scandinavian mythology, there is a 'Nis', a dwarfed male fairy in Danish Jutland (Nisse god-dreng, Nisse good lad**), who offers his help to run households if, of course, he is pleased by a treat (groute) every evening. In the end, I am sure that Niš, or old Naissus, if you will, is one of the rarest cities on the planet with a real fairytale in its name origin, and I would really like to see a tribute to fairies, even to the evil Rusalkas, in the form of some sort of street art or museum or something that could show a modest traveler, tourist, or web surfer not only the history of one town's name but also a hint of how once our ancestors pictured the spirit world and their interaction with people. If this happens anytime in the future, this post will definitely get its sequel with hopefully great photos and more stories.

Inage credits and direct refs:
*** https://www.nytimes.com/2017/02/03/arts...rusalka.html
* http://www.poesialatina.it/_ns/greek/testi/Claudius_Ptolemaeus/Geographia_(lib._1-3).html
** http://www.celtic-twilight.com/otherworld/fairy_mythology/scandinavia3.htm
http://www.guideforthearts.com/renee-fleming-to-star-in-the-title-role-of-rusalka/
http://celticruins.blogspot.rs/2014/06/fairies-haunt-springs-wells-and-rivers.html
http://www.niscafe.com/grad-nis/

Refs:
https://en.wikipedia.org/wiki/Rusalka
http://www.timelessmyths.com/celtic/faeries.html
http://celticruins.blogspot.rs/2014/06/fairies-haunt-springs-wells-and-rivers.html
http://celticruins.blogspot.rs/2014_06_01_archive.html
http://www.panacomp.net/serbia?mesto=srbija_sveta%20trojica%20matejevac
https://en.wikipedia.org/wiki/Scordisci
http://www.doiserbia.nb.rs/img/doi/0350-7653/2006/0350-76530637007P.pdf
http://www.historyfiles.co.uk/KingListsMiddEast/AnatoliaDardania.htm
https://en.wikipedia.org/wiki/Nysa_(mythology)
 

The Oldest Pictograph for Copper

Last year, during our visit to the Cretan site of Knossos and their wonderful museum in Heraklion dedicated in large part to one of the greatest peaceful periods in human history, I didn't hide my admiration for the old Minoans and their way of life. I even said I would move to Crete without second thoughts if I had a time machine, mainly to avoid the hostility of the world order we are currently living in today. At the time, considering only the European continent, I was under the impression that cultures like Minoan were rare and the Bronze Age society we glimpsed on Crete was maybe walking on the edge of being the only one in the history of mankind. To say the least, I couldn't be more wrong.

Only a couple of millennia before the late Neolithic period, known as the Chalcolithic or simply the Copper Age, there was an old European society that lived for centuries and also flourished in peaceful harmony and perfect equilibrium with nature, themselves, and their immediate land, where they built large settlements with big houses, streets, and infrastructure. And one of their major cities, by using vocabulary for describing settlements built 7000 years ago, existed almost next to my backyard. So to speak.


Prehistoric Europe, probably like everywhere else in the world, has experienced a civilization boom after the Neolithic revolution and invention of agriculture, along with the domestication of wild animals. That also included a boost in population and ways of living, and in these parts of the world, for almost eight centuries, if not longer, rose a civilization that belonged to the well-known Turdaș-Vinča culture. Many archaeologists today consider this early civilization for the throne of being the first independent and distinguished modern humans and true civilization cradle.

More than ten major settlements were found, and most of them were in the process of excavation throughout Serbian territories, with the addition of several more within neighboring lands, especially Transylvania in central Romania. These people not only perfected agriculture but also were the first to initiate the Copper Age in world history. The art of pottery was their hallmark, and many alien-shaped figurines triggered a wave of 'ancient astronauts' theories, and I will only quote one of the referenced articles: "The appearance of these figurines is striking. Many depictions of extraterrestrials in ancient literature and art reference the same oval-shaped heads, enormous almond eyes with dark pupils, and small noses and mouths". Whether or not this is evidence enough to conclude that Vinča people were in contact with extraterrestrial beings who helped them to achieve a higher level of life, I will let you conclude or ignore, but one thing is for sure: these people, along with their way of clothing and decorating, early metallurgy, and the functionality of their large, for the time, houses and settlements, were almost on the same levels of civilization as the old Minoans who lived and flourished three millennia later.


If you add to the facts that pottery was practiced at the household level with artifacts clearly created and shaped by children, along with evidence that women's clothing included mini-skirts and trousers, it is really fascinating. All vanished civilizations from ancient times earned their place in the evolution of humanity, but those of them who practiced or invented something for the first time and what we today take for granted represent our true and genuine heritage. Within the humanity tree, Vinča people deserved a very special place for two very important things in our evolution as a species.

They developed one of the earliest forms of proto-writing, which still waits for definite evidence of whether or not it overgrown simplicity over centuries and became the true representation of their spoken language. The second achievement is indisputable for most scholars. This culture was the first one, in the current knowledge and archaeological evidence, to learn how to smelt copper ore. They were the pioneers who took the big step toward the end of the Stone Age.


Vinča-Turdaș symbols were found practically everywhere engraved on artifacts excavated in Serbia and Romania. Hence the name by which it is known; like with Cretan civilization, we don't know how they called themselves. Most of the inscriptions are on pottery, and the vast majority of the inscriptions consist of a single symbol. This indicates that symbols are used similarly to what we are familiar with today as "icons", and lots of different pictographs are probably designed to identify the object they are engraved on, the content of it, the owner, value, and measure, perhaps even the ancient logo of the household or manufacturer. Most likely the names of individuals as well. For example, the name Cochise of Native Americans' Apache means "oak wood", and one of the Vinča symbols most definitely means the same thing. No doubt there were a series of pictographs related to copper and whatever they made out of it.

However, over the time of civilization's existence, the script probably evolved along, and these three tablets in the image above, found at a site in the village of Tărtăria, indicate more complex writing that most likely represents words of their language. So far, no "Epic of Gilgamesh" alternative has been found, but lots of work on sites is still ahead, and I am sure many other sites are still waiting to be found. Even so, Vinča symbols predate the earliest Sumerian cuneiform script, Egyptian hieroglyphs, and the first Minoan writing by far.


To me, the Vinča-Turdaș script most definitely resembles all other linear scripts, which means by using the symbols it is possible to write complex lines and sentences, but I am far from being the expert in the field. However, this suggestion is sound, and lines of text dated to the period and found in two locations in Bulgaria and Greece support the hypothesis. For the theory to become proven or disputed, cracking the ancient code must be done first, but for all lost languages, this is not easy. For example, old Minoans used a "Linear A" script that is still a mystery even though it is related to its solved big brother, "Linear B". Its amazing that these three scripts are possible to download in the form of TrueType fonts, and just for fun, I used them in this image to print "Milan's Public Journal" in Vinča, Minoan, and Mycenaean. This is rubbish, of course, and all these people from the past would need very different keyboards to write their languages (letters of the alphabet would not do any good for their symbols), but still, it was fun to play with.

While the writing puzzle is still not solved, Vinča people who lived nearby natural deposits of copper ore very quickly developed a process to extract the metal from the mineral and to build various tools and weapons used only for hunting. One of such sites is the one from my neighborhood. Only an hour of driving to the south is the archaeological site of Pločnik, probably the first ancient city in the world where copper smelting was industrialized. We visited the site last weekend, where we found amazing replicas of Vinča people's homes and also a nearby museum in the city of Prokuplje with lots of excavated items from the site and lots of stories from the excavation itself.



Even today, there are deposits of malachite and azurite in the wide area where the site is located, and our guide hinted that in the past they were probably able to find them in the river as well. Both are common copper minerals that are melted at 700 °C. Campfires are about 200° short of the temperature needed, so they built square-shaped furnaces stored in larger buildings with pipe-like earthen blowers with hundreds of tiny holes in them used to blow compressed air directly into fire. Whether people, like Viktor in the above video, were manually blowing the air or they had some sort of leather bellows is still unknown.

The place is very big—more than 100 hectares. The ancient city was large and populated from 5500 to 4700 BC in a row until it was destroyed in a big fire by probably intruders from afar. What happened with survivors and where they moved after is also not known. Like Minoans, no peaceful society ever survived hostile events and probably ceased to exist entirely or fully dispersed among the newcomers. Anyhow, we were all carrying lots of impressions from the last weekend trip to the history of our own neighborhood, along with a piece of pottery, 7000 years old, we received as a gift from the excavation park. No words could describe all of our gratefulness, especially Viktor's, when he had to choose a piece that maybe once belonged to his peer from the early Copper Age.

The Minoan Legacy:
https://www.mpj.one/2017/07/the-minoan-legacy.html

Stone Age of Iron Gates:
https://www.mpj.one/2015/08/stone-age-of-iron-gates.html

Cyclops of Peloponnese:
https://www.mpj.one/2016/08/cyclops-of-peloponnese.html

Image & Video refs:
https://www.disclose.tv/the-danube-valley-civilization-script-is-the-worlds-oldest-writing-313756
http://korzoportal.civcic.com/julka-kuzmanovic-cvetkovic-plocnik-kako-doziveti-neolit/
https://www.youtube.com/channel/UCH2BtavSrxaRyvOJS5JZaHQ

Refs:
http://www.ancient-wisdom.com/serbiavinca.htm
https://cogniarchae.com/2015/10/29/tartaria-connection-between-vinca-and-proto-linear-b-script/
https://www.disclose.tv/mysterious-vinca-statuettes-evidence-of-extraterrestrial-contact-313094
http://www.ancientpages.com/2015/09/30/mysterious-ancient-vinca-culture-undeciphered-script/
https://en.wikipedia.org/wiki/Vinca_culture
https://en.wikipedia.org/wiki/Vinca_symbols
https://www.ancient-origins.net/ancient-places-europe/civilisation-script-oldest-writing
http://www.ancientpages.com/2018/02/17/7000-year-old-inscription-undeciphered-vinca-script/
https://www.omniglot.com/writing/vinca.htm
http://vrtoplica.mi.sanu.ac.rs/en/section/58
https://en.wikipedia.org/wiki/Smelting#Copper_and_bronze
https://journals.uair.arizona.edu/index.php/radiocarbon/article/view/17456/pdf
https://www.behindthename.com/names/usage/native-american

Serbian refs:
https://sr.wikipedia.org/sr/Плочник_(археолошки_локалитет)
https://www.serbia.com/srpski/posetite-srbiju/kulturne-atrakcije/arheoloska-nalazista/vinca/
http://muzejtoplice.org.rs/index.php/en/muzejtoplice
https://www.facebook.com/pages/category/Civilization-Museum/Arheo-park-Pločnik
 

Super 8

The history of motion pictures dates back to the second part of the 19th century with photographers like Étienne-Jules Marey and Eadweard Muybridge, who, among others, were the first to take several images per second in one effort—all for scientific purposes back then—to study the locomotion of birds, animals, and humans. For example, Muybridge was the first to take a series of photographs of a galloping horse in order to prove that in one single instant of time all four horse legs are not touching the ground. More or less at the same time on another continent, Marey created a shotgun-shaped camera capable with one trigger pull of capturing 12 images in a row within one single second and storing them all on the single 90 mm film. He used his gun to study various motions of animals, fish, and insects within his so-called 'animated zoo', including dropping cats from different heights and filming them always landing on their feet.

ELMO Super 106, 8mm movie camera

It was not long after initial chronophotography efforts and enthusiasm in the 19th century that the 'evolution' of motion pictures diverted heavily into entertainment and cinematography. The history of films and fun started almost with the start of the 20th century, but in the spirit of today's title, 'domesticating' films within ordinary people and human homes waited another 65 years for the invention of Super 8, or, to be precise, the improvement of Kodak's standard 8mm film from 1932 into a more efficient surface with a bigger width for the frame itself and significantly smaller perforation on the film's right edge. After they introduced it at the 1964-65 World's Fair, Super 8 instantly became the very first home video format with light cameras capable of filming 18 frames per second and more than 3 minutes of the movie per small film cartridge.

To say that my father was a film enthusiast in the second part of the sixties and the entire seventies would be an understatement. It was natural for him to go the step further and, in addition to the several analog SLR cameras and darkroom equipment for developing photos, to invest in home movies. Spending time in the darkroom and hanging photos on the wire were some of the most thrilling experiences of my childhood, but when Super 8 came, another world opened. I was too young to operate the camera, but on the occasion or two I remember, I did hold it and press the red button, especially during our vacations in Greece. Well, aside from those rare moments, most of the time my job, with being a kid and all, was to be in front of the camera and not behind it.

Tondo Super 8 Projector and LG Nexus 5 in action

But to cut the story short, this month I did something I was delaying for a long time. During the last two weeks, every night I was descending into my own customized darkroom equipped with a tiny Super 8 projector and digitalizing our family films. Twenty of those survived over time, and with a speed of two per day, I projected them on the wall and filmed them all with my smartphone. It was far from being an ideal setting, but this was the best I could do. I tried different approaches, filming from different distances, using different settings, and using my DSLR Nikon in the beginning. I even tried to project the film directly into the DSLR, but all my efforts failed due to not having proper lenses and objectives, and in the end, the smartphone was the chosen solution, and it did a better job in the dark than the Nikon.

With more expensive equipment, I am sure the results would be much better, and probably the weakest link was the cute and old Italian Tondo projector, which was my father's portable cinematic projector. I did try with a bigger 'player' first, but despite all my efforts, I couldn't manage to repair the old and superb Crown Optical Co. Ltd. Auto-P, a silent Standard and Super 8 film projector, our primary projector capable of displaying big and crisp screens on the large walls and with much better quality. To be honest, it's more than half a century old and built with nowadays rare parts, especially the missing lamp that is hard to find these days, but I didn't give up, and perhaps in the future, if I stumble on some solution (read it: an eBay sort of solution), I will repeat the effort, at least for those videos filmed indoors.


Nevertheless, all twenty rolls now come with twenty MP4s, and for this occasion I decided to create two movie collages with six movies each. They are all filmed in the late sixties, during the seventies, and in the early eighties with an ELMO Super 106 camera from the first image. The first one, embedded above, contains six films from our early vacations in Greece, and in chronological order, they are filmed in the Acropolis of Athens, Zeitenlik, the World War I memorial park in Thessaloniki, vacation resorts in Kamena Vourla, Asprovalta, Katerini Paralia, and two vacations in the vicinity of the port city of Volos.

The second collage is from our home and village in Niš and Guševac in Serbia. Mostly it focuses on my sister's and my babyhood and early childhood, birthday parties, family gatherings, and excursions. Also our old house that is now gone and the old shape of our country village front yard. This video also contains one of the rare black-and-white films from our collection that probably originated from different cameras and settings.


This entire effort triggered lots of memories and emotions from almost forty years ago, and seeing people live, especially those that are not alive today, is something extraordinary that regular photography cannot induce. Perhaps we today, with all of our pocket gadgets, are taking video clips and home photography for granted, but before, in the Super 8 era, this was a completely different experience. What we today do with just two taps on the screen, before you had to do in a more complex manner, including purchasing film cartridges, carefully planning (directing) filming sequences for a 3-minute film, sending it to development, organizing cinematic sessions...

One thing is for sure: Super 8 was the origin of what we have now in our homes. It was eventually replaced with VHS tapes in the 80s, but at the dawn of the 21st century, the analog period came to an end, and old-fashioned home gadgets were replaced with home digital camcorders first and, in the very last decade, with smartphones. To tell you the truth, it is nice to have a camera in your back pocket, it is, but somehow, with me, as I witnessed the origin of the entire process in my early childhood, the nostalgia for the analog days gave me another layer of the entire experience. Something special and extraordinary for sure.

'Super 8,' a sci-fi movie by J.J. Abrams

Perhaps for the best conclusion for this post, it would not be fair not to mention one of J.J. Abrams' greatest movies from 2011. Simply named 'Super 8', it tells a main sci-fi story about an alien encounter, but everything is perfectly wrapped within a background story of school kids trying to film a short movie for a Super 8 festival. It was really a great movie, and if you liked E.T. before, this is definitely a decent sequel and one of my favorites.

Refs:
http://www.kodak.com/id/en/consumer/products/super8/default.htm
https://en.wikipedia.org/wiki/List_of_film_formats
http://www.retrothing.com/2009/09/tondo-super-8-projector
http://www.hollywoodreporter.com/news/super-8-jj-abrams-says-194908
 

I, Robot

"Gloria had a grip about the robot’s neck that would have asphyxiated any creature but one of metal and was prattling nonsense in a half-hysterical frenzy. Robbie’s chrome-steel arms (capable of bending a bar of steel two inches in diameter into a pretzel) wound about the little girl gently and lovingly, and his eyes glowed a deep, deep red." - If you didn't recognize the narrative, it is from Gloria & Robbie's reunion from the touching ending of Isaac's "I, Robot" first story. If you read "Robbie" before, you are probably, by now, recollecting what actually preceded this very moment of two persons getting together in this happy ending of the most famous Asimov short story. But if you never did, I am encouraging you to do so; if nothing else, then for the simple reason that even though it was written some eighty years ago, the premise is still fresh and valid, just like it was published yesterday.


The word 'robot' was actually coined a couple of decades before 'Robbie' by the Čapek brothers, Karel and Josef, and was first used in Karel's play 'Rossumovi Univerzální Roboti' (Rossum's Universal Robots). Although robots in this play were more androids and cyborgs, in fictitious literature they were not fully mechanical, AI-type automated inventions but rather sort of technologically augmented humans or created biological organisms. Nevertheless, the word stands to this day with its root in all Slavic languages, Serbian included. I remember my grandmother often using the word 'rabota' ('robota' in Czech), which, even though not in use in the official Serbian language, is actually the only possible way to represent the hard work or labor in just one word.

In sci-fi literature and motion pictures, not all robots are equipped with artificial intelligence, emotion chips, and sophisticated technology and created to look exactly like we do. Many of them are made just to do hard work, like in the original Isaac's or Karel's stories, but even though they all have one thing in common. Their own personality. Something that makes the robot unique and has properties only living organisms have. Believe it or not, if you have a vivid imagination or perception of the details of your own surroundings, personality is something even ordinary items can own. Not long ago, when my son was at the appropriate three-year-old age, I bought for him a large helium balloon to play with indoors. At the end of the meter or so of string, I hung a couple of iron rings to weigh just enough for the balloon to float freely in the air. It was fun playing with it, of course, but even more fun was just monitoring what it did on its own. Due to invisible drafts and air circulation in our flat and slight differences in pressure and temperature in different rooms, it was obvious that our 'Balloon Boy', as we called it, never wanted to stay still for a long time, and after a while I noticed that it particularly liked the kitchen. No matter where you floated it initially—in the living room, dining room, or hallway—after a couple of hours it drifted away to its favorite spot and stayed there put. And to do so, it had to pass through several corners and doors and avoid solid items and furniture. Now you tell me, how was our Balloon Boy different from any other home pet? It had a name, it required constant attention (instead of feeding, in this case, adjusting weights to compensate for helium lost), it also had its own favorite spot in the flat, it loved to play and drift, it was cool, and it... well, eventually died. From my point of view, Balloon Boy was no different than any living pet, and with all of his regular activities, 'he' earned his own personality. Not a big one, for sure, but personality-wise it was.


Robbie was designed to serve as a nursemaid, but in the end, from one young girl's perspective, it was a perfect pet or Balloon Boy substitute. He didn't talk but was able to mimic all the personality necessary to be an ideal companion for eight-year-old Gloria. And he was a great listener, something parents nowadays rarely have time or patience to do for their children on a daily basis. Robbie was also the first robot in Isaac's "I, Robot" masterpiece and surely one of the first generations of robots. With later stories and the overall sci-fi genre, within robotics and cybernetics naturally comes artificial intelligence. In this realm, my favorite robot in the entire expanse of science fiction is Commander Data from "Star Trek: The Next Generation". He has it all and was as fully functionally self-aware as anyone else in the franchise. But we are far away from such achievement. I mean, creating artificial software design to mimic human beings within the current stage of hardware and software is very much possible. Computers are fast enough to process very detailed responses from the surrounding environment. Sensing tools are also mature enough to visually and audibly acquire all the data for a hypothetical humanoid robot to deal with and to be very close to passing the Turing test. Simply put, I am convinced that very soon we will have artificial Facebook contacts you can add to your friend lists and communicate with in the usual manner and never know that they are not really humans. To be perfectly honest, I will not be surprised if they already exist today and use social networks as a perfect beta testing ground.

However, what is still behind rapid development in computer science is power and mechanics. These days Boston Dynamics' Atlas's new upgrade is going viral, and if you haven't already seen what it can do, please take a couple of minutes to watch the above video. It is amazing what they achieved in only a couple of years of development from the first 'Petman' bipedal robot initially constructed for testing chemical protection suits. Still, even though walking and handling simple labor is vastly improved, motion and sophistication are yet to explode in some sort of technical breakthrough that would allow continuous operation without the need to recharge often and, of course, to have more human-like motion abilities and be able to do various actions, from as sensitive as operating smartphones to as bulky as carrying heavy sacks and boxes. And at the same time, to look like one of the chess players from the above photo. Or both of them. Until then, there will be no fear of some futuristic robot uprising in Boston Dynamics, especially against those test people from the Atlas video.


To conclude this post without mentioning industrial robots would not be really fair. They have been among us for years and doing their job with great perfection. Honestly, one of the 'always on' TV channels playing in our living room is 'Discovery Science', and I simply can't get enough of those shows "How It's Made" and "How Do They Do It?" especially with all those automated industrial lines with heavy usage of robots and machines. Cybernetics is one great engineering, and it literally expanded exponentially with microcontrollers and industrial software. With a little regret of missing the opportunity to pursue a career in robotics, I remember those couple occasions in school when I participated in a competition in building a controllable circuit board with the Sinclair ZX Spectrum, an amazing one of the first home computers I owned for years back in the eighties. It had an extension connector, designed for accessories, with 8 pins fully controllable with its famous PEEK & POKE commands. I used it to programmatically control electronic relays capable of controlling the flow of heavy electronic AC current.

Now, even though industrial robots are already ready to go to another planet (and a couple of them have already been sent to Mars and successfully did or still do their jobs), androids are still not on the horizon. Should I dare to predict the first commercial humanoid robot on the market? Let me put it this way: the human body contains 200+ bones, 600+ skeletal muscles, and more than 300 joints. When we reach a scientific breakthrough in using artificial muscles and power systems able to operate a vast number of joint and bone movements, it will not be long before we see the first Robbies in hardware stores.

Image credits:
http://www.templates.com/blog/robots-people-striking-3d-perspective/
http://www.blutsbrueder-design.com/
http://dailyinbox.com/next-decades-manufacturing/

 

Warfare Then and Now

Lately I was watching the current stream of war-related news and the Syrian migrant crisis, and I thought of what I would say on the blog about actual, continuous, and devastating warfare in Europe, Africa, and the Middle East and the stupidity of the literally inexplicable background of who is fighting whom in all those conflicts and what cause would justify the aftermaths in the form of devastated cities and long refugee corridors... Or even what words should I use to describe the foolishness of the new cold war between nuclear-powered "super countries" and what that will mean for our children and theirs in the future... Then I realized that reacting to meaningless affairs and worldwide political absurdity in a world so divided by racial, structural, governmental, and religious diversity is also meaningless. I also realized that I said enough in the past. There is nothing new to be added or said. There will always be people who will think that a rifle is not a rifle if it never fires a bullet.

And to use a rifle, you need war, right?

I have to admit that I have mixed feelings when it comes to the military, soldiers, wars, battles, tactics, military gadgets, and stuff. On the 'interesting' side of the medal, warfare, if placed in history, good stories, or movies, is simply extraordinary, and I love it. Perhaps, in a way, it was also based on my experience as a soldier: I served in the army more than two decades ago within the mandatory military service, and I was situated in the surface-to-surface missile unit and trained for operating small rockets designed for targeting tanks and other heavy machinery. I couldn't say I enjoyed all the time spent in the service, but I wouldn't be telling the truth if I said that it wasn't interesting and educational, at least from the technical point of view.

The cannon from the Hill of Čegar

Speaking of history and tales, this summer, I mentioned one of the most famous last stands in the history of wars in the post "Fishermen and Pirates of Evia", when King Leonidas of Sparta confronted a large army of the Persian Empire and stood to the very end guarding a narrow pass in the battle of Thermopylae almost 2500 years ago. Anyhow, here, in Serbia, in our own history, we also have one of those suicide missions, conveniently called "last stands" by military vocabulary, and it happened only a couple of kilometers to the north from our house on the nearby hill called Čegar. Just like Leonidas, Serbian general Stevan Sindjelić, during the First Serbian Uprising against the Ottoman Empire in the year 1809, confronted a huge Ottoman offensive after the Serbian army failed to capture the main Turkish fortress in the city. Outnumbered by 1 to 10, Serbian trenches only managed to reject several attacks, and after almost all day long of fighting, the battle turned out to be one of the best-known last stands in the long history of Ottoman occupation of Serbian lands. Ultimately, when the battle turned to be hand-to-hand combat in the trench, Stevan fired his flintlock pistol into a pile of gunpowder kegs in the moment when Ottoman soldiers swarmed the trench from all sides and headed for him personally. The explosion was tremendous, and the fall of Stevan's trench created time for other Serbian troops in the remaining 5 trenches to retreat on time, and, in the aftermath, Turks took all the Serbian soldiers' heads off and used the skulls to build a tower along the road to Constantinople as a warning to anyone rising against the Ottoman Empire.

Yesterday, we decided to visit the hill where it all happened and took some photos with two remaining cannons from the battle and from the monumental tower standing in the middle of the field. It was a one-of-a-kind experience that leaves a distressed feeling, especially after the glimpse from the top of the narrow tower toward the planes and the city.

Stevan Sindjelić & Remains of the Skull Tower in Niš

But there is another side of my mixed feelings regarding this topic. Simply put, if you place the warfare outside the history or fiction and experience it live, for me, all the magic from movies and books evaporates into thin air almost immediately. While I wasn't participating in any warfare in the army, I have witnessed real air strikes performed by NATO aircraft, dropping cluster bombs just hundreds of meters away from my house. I saw them explode*. I saw real damage in neighboring houses and streets and saw people injured from the impacts. Real people. Not soldiers. Collateral victims. Civilians. It wasn't fun. It seems that warfare two centuries before was more dignified, to say the least. The battles before were "organized" outside settlements, and most of them took place in the fields where no civilian casualties could be possible. Today, if you look at the aftermath of any wars happening everywhere on the globe, the first thing you will notice are devastated cities, villages, houses, schools, hospitals, even... Murdered innocent people and children. Ruins in all directions. It is easy today to pull the trigger. From the distance. There are no real heroes or knights today like before.

Modern times and technological advances perhaps ruined the very essence of war, but deep in its core, war was, is, and will always stay our darkest invention. Yes, it looks amazing with special effects in movies and written in our history books full of heroes and heroic events, but in a nutshell, it represents the worst genes we kept from our animal ancestors, evolutionary speaking.

View from Čegar's monumental tower with Viktor's plastic AK-47 toy gun

And the armies... They are a big part of it. The following words, said a couple of years before the battle of Čegar, on a different continent, are still fresh and valid, just like if they were said yesterday. Almost certainly, the famous James Madison quote will stay accurate for many more centuries. After all, as a species, humans are not really capable of learning from their own mistakes:

"Of all the enemies to public liberty, war is, perhaps, the most to be dreaded because it comprises and develops the germ of every other. War is the parent of armies; from these proceed debts and taxes… known instruments for bringing the many under the domination of the few.… No nation could preserve its freedom in the midst of continual warfare." - James Madison, Political Observations, 1795

I am sure proving his point is as easy as glimpsing the yearly statistics for the Global Firepower, aka GFP. The following numbers I acquired from "Business Insider" and "The Center for Arms Control & Non-Proliferation". They are collected for the latest year, and I summarized the data for only the top 5 armies in the world: the US, Russia, China, India, and the UK (and you can freely double these numbers for accounts of all other countries).

Anyway, more or less, give or take, believe it or not, in a nutshell, GFP numbers are:

6,000,000+ soldiers (human beings, men in the uniform)
35,000+ tanks (the iron amphibian combat vehicles with heavy guns on the top)
22,000+ aircraft (fighters, bombers, logistic planes, all kinds of military flying machines)
16,000+ nuclear warheads (only couple of them needed to cease all life on earth)
1000+ warships (cruisers, destroyers, frigates, corvettes, etc.)
15+ aircraft carriers (monster nuclear-powered ships)
230+ combat submarines (with large nuclear engines under the sea)
900,000,000,000+ dollars spent for military budgets (per year)

And don't forget to add an uncountable, and I really mean devastating, large number of missiles and rockets, all kinds of ballistics, regular weapons, drones, rifles, pistols, cold weapons, military-based factories, scientific research facilities, spy satellites and military space programs, state-of-the-art uniforms, etc. Indeed, we don't have a name for that big number in mathematics. Even the number of zeros in that count would probably be longer than the letters in this very sentence.

The 11 Most Powerful Militaries In The World**

Now, only by comparing these numbers with James Madison's words, it seems that after 200+ years, perhaps armies are not children of war anymore. In the dawn of the third millennium, it seems now that they are perfectly capable of creating wars just to justify their own existence. If only war could stay in history and fairy tales... But we all know that's not going to happen. With all that weaponry in existence, there will always be people who will think that a rifle is not a rifle if it never fires a bullet.

Original post date: November 2014; Update: November 2015

Image ref:
**http://www.businessinsider.com/11-most-powerful-militaries-in-the-world-2014-4

Refs:
http://en.wikipedia.org/wiki/Battle_of_Čegar
http://en.wikipedia.org/wiki/Skull_Tower
http://armscontrolcenter.org/
http://www.globalissues.org/article/75/world-military-spending
http://en.wikipedia.org/wiki/List_of_states_with_nuclear_weapons
http://armscontrolcenter.org/issues/nuclearweapons/articles/fact_sheet_2014
http://en.wikipedia.org/wiki/James_Madison
http://www.businessinsider.com/35-most-powerful-militaries-in-the-world-2014-7
* http://en.wikipedia.org/wiki/Cluster_bombing_of_Niš