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Showing posts with the label history

The War No One Wants

Before the start of the Great War, the prevailing sentiment in most, if not all, European countries was that victory in any major military conflict was guaranteed only if it was fought with a large, durable, well-trained, and modern army. The dawn of the 20th century established the environment in which countries entered the race to mobilize the largest part of the qualified population, to create faster motorized transport for troops and logistics, to use state-of-the-art communications and the greatest range of artillery, as well as to use various new drugs in medical treatments like morphine and even cocaine to boost the troops and fuel their fighting mood. Compared to 19th-century wars, new warfare was revolutionized and upped to the next level. By June 1914, the stage was set, and only a spark was needed to fire off the conflict.

But was it really inevitable? Was the military race alone enough to cause the conflict in which 20 million died and many more were wounded? Or did it need a plot to be played in just a specific order that would lead to the unavoidable horror? Did it need at least one party to actually want the war to happen? To honestly believe that a war on that scale could be won?


When asked if the Great War could have been avoided, Ronald Spector, professor of history and international affairs at George Washington University, said that ’if Sir Edward Grey hadn't been the foreign secretary in Britain, then Britain might not have necessarily entered the conflict. Furthermore, if German Kaiser Wilhelm II hadn't been the flaky person he was, then the Germans may have made different decisions, and in the end, if Austro-Hungarian Archduke Franz Ferdinand, who at the time was the head of the faction that wanted to avoid war, had not been killed, the outcome might have been different’. According to Professor Spector and many others, the real trigger for the First World War was indeed only a combination of these unfortunate coincidences that took place in the summer of 1914—military preparations, the alliances, the people in power—all of those steps that built one after another created the Great War.

In the aftermath, the war did happen, and to many, including me, the question was not who won it four years later but rather what stage it created in the following years. It ended the Austro-Hungarian Empire, the German Empire lost a lot of territory, and the Turkish Empire ceased to exist. On the other end, new statehoods arose along with a new wave of nationalism, as many felt they hadn't achieved enough for their sacrifices and losses. History books at the end of the war never really recognized the winner or the loser. It officially ended in the Compiègne railway car on November 11, 1918, and the final document was signed as an armistice.


But what about today, a century and a change after the war that could have been avoided and the war that allegedly nobody wanted? Is there a new similar danger we could repeat again? The one that, according to Ken Follett, could also be one tragic accident, all things considered. Is there a war that no one wants today? The one that could leave a permanent mark on the surface of humanity. The one that will not be fought in trenches and the one that will truly be worldwide this time.

I think we all know the answer to that question. Yet, just like before, and even though nobody really wants it to happen, it could happen nevertheless. Just like before, it only needs a plot that, if set in motion, step by step, spark by spark, decision by decision, can lead to the point of no return. Are we today, on the first anniversary of the Russia-Ukraine conflict, already walking that path? We already have everything the Great War had before it started. Countries have already been in the arms race for a long time—the race for ultimate supremacy and world military dominance. Army budgets are filled up to the roof. More than 10,000 nuclear warheads of various kinds are already in military stockpiles for use by missiles, aircraft, ships, and submarines. We also have questionable leaders like before, even flaky ones like in Professor Spector's description. Let's just hope we will have better luck this time.


However, in light of today's story, let's get back to Ken Follett's fiction. I am really a big fan of his work, and his current thriller, "Never", is his vision of how the Great War could repeat today. In a chronological order of events that one by one led to the brink of a nuclear war, he amazingly described a fictional story that looks so real and so familiar. And so possible. He begins the book with a quote from a Chinese proverb, "Two tigers cannot share the same mountain", and it amazingly describes the entire book premise. I couldn't agree more with Stephen King when he said that "Ken Follett can't write a bad book", and I could only add that "Never" is definitely more than a book. One of his best. One of those that keeps you thinking long after you finish it.

Refs:
https://gwtoday.gwu.edu/was-world-war-i-avoidable
https://thediplomat.com/2014/08/the-great-myth-world-war-i-was-no-accident/
 

Norse Valkyrie vs Slavic Vila

It is hard to pinpoint the exact period in human history when the religiosity we are all familiar with today emerged and started to form itself with all of the colorful myths, supernatural stories, vivid deities, and numerous superpowered entities. It happened probably at some point around 10,000 BC in the same period of time when humans slowly progressed from being pure hunters and gatherers into the next stage of civilization and started to build modern settlements with domesticated animals and cultivated plants. No doubt, religiosity, superstition, and spiritualism existed all the way from the beginning in history when our ancestors started to paint cave walls, but only the Neolithic revolution and the invention of agriculture gave us enough free time to start daydreaming and to think outside pure survival. If we compare all previous beliefs with vignettes, we can safely say that the evolution of religiosity after Neolithic revolution began to fill volumes of graphic novels.


According to the theory, slowly after the beginning of the Holocene period, the first large prehistoric population of Eurasia that spoke Proto-Indo-European languages was formed. They were the ancestor of Indo-European languages and the source of Proto-Indo-European mythology, from which all pagan religions arose in different areas of Europe and Asia. This is why we can easily compare different deities and see all the similarities they inherited from the proto-times. Take, for example, gods of lightning, thunder, and weather in general. The deity of these properties emerged in all different mythologies, and Norse Thor, Greek Zeus, Roman Jupiter, Slavic Perun, Hindu Indra, Hurrian Tar, Hittite Tarḫunna, and many others were no doubt based on a Proto-Indo-European deity called Perkwunos.

The similarities do not end with the deities but also extend to other colorful characters from old myths. Last week I stumbled upon one amazing piece of art in Churchill Park at Kastellet citadel in Copenhagen. It was a 114-year-old sculpture of a Valkyrie by famous Norwegian artist Stephan Sinding. It was probably the best 3D/live-action street art I have ever seen before. It reflects everything about what Valkyrie really is in old Norse mythology. The word literally means "chooser of the slain", and it is portraying a female figure guiding the souls of deceased Nordic soldiers either to Fólkvangr, Freyja's afterlife, or to Valhalla, Odin's immortality hall. Old Norse literature describes valkyries either as purely supernatural or as human maidens with certain supernatural powers. Both types of beings were associated with honesty, splendor, and gold, but also with bloodshed and brutality in battle.


In South Slavic mythology, a similar being, vila, represents a female supernatural being who is sympathetic to people, but she could also be vengeful and brutal. She is depicted as an extremely beautiful girl with golden hair, dressed in long, flowing robes, and armed usually with bows and arrows. She exists on a liminal plane between nature and culture, between gods and humans, constantly travelling between one realm and the other to interact with the heroes and villains of the epics. Even though both Valkyries and Vilas developed in different religious environments, it is hard not to spot various similarities between the two. The whiteness and glowing quality of the vilas is mirrored in the description of the valkyries, and both figures are to be found in the sky in most of their depictions with connection to lightning and thunder.*

The warrior aspects of the Valkyrie are unquestionable; they are "vowed to war", and their role is primarily on the battlefield. The mythical Viles are similarly portrayed and often described as wearing armor with bows and arrows and envisioned as powerful, supernatural warriors. There are convincing resemblances in regard to the connection between Viles and Valkyries and heroes in the epics. Most often this relationship is a warrior bond, but this relationship can become both sexual and malicious. Just as a vila can manipulate heroes or villains to murder those of her choosing, so too the valkyries are reputed to play deadly games with the heroes with whom they associate.*


Although the nature of the valkyries' flight is portrayed as a magical ride on horseback, whereas the vile most often fly unmounted with the use of bird wings, it is not uncommon for the vile to ride horses or deer. Both, Viles and Valkyries, are often described as gathering in groups within the epics and referring to each other as sisters. It is fair to suggest that the Valkyrie and the Vila are rooted in the same figure; their differences lie only within the cultural differences between the Slavs and the Germanic peoples. Perhaps the most likely attestable age of the two figures lies back to the 6th century CE, when the south Slavic tribes were still located in the North of Europe.*

From there, we could push the date back even further to the time of Proto-Indo-European times, especially if we extend this comparison to apsarā, beings with similar traits from Indian religion and mythology. The various trios of birth-fate-death-associated women in Greek and Roman folklore also appear to originate from the same source. The direct ancestor of Valkyries is most likely Proto-Germanic walakuzjǭ, which stands for walaz (battle wound) +‎ kuzą (choice, decision).


Historical origins of Vilas include the various traditions, especially Celtic, Slavic, Germanic, English, and French folklore. The word "vilenski" was used as an adjective, meaning "enchanted", but also became a generic term for various enchanted creatures during the late Middle English period. Nevertheless, the proto-origin is no doubt the same as the Valkyrie's and South Slavic versions, especially in the Middle Ages. Serbia survived even Christianizing the old beliefs and ended in colorful epics and poems of the 14th century and later. Although, to be perfectly fair and precise, the mythological Vilas from the oldest myths and tales and the folklorized one in epics and poems are somewhat different in a way that folklore is centered on human affairs, heroes, and battles, and supernatural beings only serve as a side story, so to speak.

Always, when I am reading or writing about old myths and tales, I can't help but wonder what a comparison would be of a typical religious person from the old times and today. It seems to me that old stories were much more colorful and picturesque than the ones from the religious beliefs of a singular god. Even a small thing like a simple walk through the woods would be different for somebody in BC times for the simple fact that, from all they knew, not only natural plants and animals could be found there. For many, the forest behind the house could also be a magical gateway to the supernatural world, and even the smallest unexplained event of natural behavior (like a methane leak or weird animal demeanor) could be immediately linked to the supernatural. But this sounds like a nice topic for another story.


Image refs:
https://vrallart.com/artworks/milos-marko_i_vila/
https://commons.wikimedia.org/wiki/File:Richard_Dadd...Yellow_Sands.jpg
https://www.saatchiart.com/...The-Valkyries

* A Treatise on the South Slavic Vila by Dorian Jurić 
https://macsphere.mcmaster.ca/bitstream/11375/9407/1/fulltext.pdf
This article contains quotes/paraphrases from Dorian's theses

Goddess Zhiva (MPJ story):
https://www.mpj.one/2018/08/goddess-zhiva.html

Serbian Vampires (MPJ story):
https://www.mpj.one/2020/10/serbian-vampires.html

Fairies of Naissus (MPJ story):
https://www.mpj.one/2015/11/fairies-of-naissus.html

Refs
https://templeilluminatus.com/forum/topics/valkyrie?groupUrl=the-triple-goddess
https://en.wikipedia.org/wiki/Valkyrie
https://www.worldhistory.org/Valkyrie/
http://www.mcurtis.net/legend-of-keres
https://en.wikipedia.org/wiki/Vila_(fairy)
https://slavicmythologyandtales.wordpress.com/2020/08/15/vile-and-rusalki-part-2/
https://sr.m.wikipedia.org/sr-ec/ВилаРавијојла

 

Corfu Between Tales and Reality

Among all religious beliefs, the Greek pantheon of colorful gods is perhaps the best described in the history of all human religiosity. There is literally no piece of Greek land, portion of the sea, or tiniest island that has no origin in radiant old mythology. The island of Corfu is no exception as well. Apparently in the mythological history, it was one of those unnamed islands in the region of Scheria where the mighty Poseidon spent a portion of his eternity with the freshwater nymph Korkyra. Their descendants, the Phaeacians, as described by Homer in Odysseus' adventures, inherited the island and named it after Poseidon's lover. The final shape of the island owes its appearance to Poseidon as well, when he separated Paxos from Corfu with his trident in order to create a love nest for him and his wife, Amphitrite (sea nymph this time). I don't blame him; both Korkyra and Paxos are beautiful and colorful islands, and he obviously knew his craft well. I understand his affection for nymphs as well; he was the sea god after all, and in the aftermath of the mythological creation, he alone is most likely responsible for the origin of the human race on a total of 227 Greek islands, including Atlantis, but that's a different story.


However, the reality and history of Corfu are much different and much less idyllic. Being in the cross-worlds in the Middle Ages between the Ottoman Empire and western civilization, the history of Corfu was turbulent, to say the least. The island managed to survive and keep its Greek identity after numerous raids by barbarians and conquests by Europeans during the medieval period. The origin of the first people on the island is not much known. According to Homer, they had some relationship with the Mycenaeans (Dorians), but it is not scientifically proven true. Furthermore, there were no ancient ruins dedicated to Poseidon at all. There are two ruins excavated so far, one of a temple dedicated to Hera and the other, the most significant temple built around 580 BC, dedicated to the goddess Artemis, which was monumental in dimensions for the time. In the above picture is its full, around 20-meter-long pediment portraying a living Gorgon (mythical creatures with hair made of living, venomous snakes, most likely Medusa or one of her sisters).


After ancient times, the island was ruled by the Romans first and then went under the Byzantine Empire. After the Byzantine period ended (around 1267 AD), Corfu was vulnerable to the constant pirate attacks and raids by its neighbors and crusaders and stabilized only when Venetians occupied the island in 1386. These olive trees from the picture above are seeded by Venetians and considered to be more than 500 years old. The Venetians ruled for more than 400 years and ended their rule in 1797. Most of the Venetian dominance left a big mark on today's island architecture, including the large fortress. After that, the island was occupied by the French, followed by a strange alliance of Russians and Turks, then the British, and finally, on 21 May 1864, after the London Treaty, Corfu and all the Ionian Islands united with Greece.


The most important milestone in the history of Corfu happened during the Turkish siege of 1716, when Venetians managed to defend the island and stopped the Turks in their advances toward Europe. Fighting alongside Corfiots were Venetians, Germans, Italians, Maltese ships, Papal galleys, galleys from Genoa and Tuscany, Spanish galleys, and even Portuguese forces. The Turkish failure in Corfu was a historical event of enormous importance—who knows what would happen if the result of the battle went otherwise? However, the other parts of Greece and their southern islands weren't that lucky and went under Ottoman occupation, causing a large number of refugees and migration toward Corfu. In the following centuries, more immigrants arrived from Illyria, Sicily, Crete, Mycenae, and the Aegean islands. Of course, in this small blog story, I didn't mean to go much into historical events, but I always like to learn a bit more about places we travel to. If you want to know more, the reference links below are a good point to start googling.


This summer, we visited Corfu and its picturesque village of Messonghi. At the same point in history, the small village, along with neighboring Moraitika, was established by Cretans and Peloponnesians. With its interesting feature of the Messonghi River, small and nice beach, crystal-clear waters, and amazing people, this village was our host for 11 days of our vacation, and we fully recommend the stay. Beside the archaeological museum, we also visited the Serbian House dedicated to the Great War events and one nice museum called "Casa Parlante", dedicated to the ordinary life of one British aristocratic family from British rule in the middle of the 19th century. The most impact on me personally was the traditional Corfu dishes called Sofrito and Pastitsada, and their recipes dated back 200 years in the past. Last but not least, our big thanks goes to Spyros, his family, and their fine Georgina apartments, where we stayed the entire time.

Refs:
https://atcorfu.com/corfu-history/
https://greeking.me/blog/visit-corfu/item/207-corfu-the-island-of-the-phaeacians
https://en.wikipedia.org/wiki/Corfu
 

Three Caves

Part of Serbia below the Danube River is pretty mountainous, with complex geology, especially in the eastern parts where the Carpathian and Balkan mountains collided and over eons formed the Serbian Carpathians, with a total of 14 independent mountain ranges in existence today. These rocks date back to the Proterozoic Eon (2.5 billion–541 million years ago), with limestones and dolomites mainly formed from the late Jurassic to early Cretaceous, around 100 million years ago. There are dozens of large caves within these mountains, and many have tourist paths built to visit and admire their beauty and history. Two of them we visited last week, and they both gave us extraordinary experiences and impressions.


However, the first cave in this blog story belongs to the one formed in the foothills of an ancient volcano of the nowadays mountain of Bukulja in western Serbia, although the recent paper posted a theory that the mountain is much younger (15 million years ago) and instead formed in tectonic processes. Whatever the case, the Risovača cave is definitely unique in the Balkans and probably on several occasions hosted families of Neanderthals during the Late Pleistocene era. Numerous tools from this period similar to those found within other Neanderthal sites across Europe are found here and preserved for display in local museums. Like with other groups, and due to small numbers overall, Neanderthals most likely went extinct due to assimilation with modern humans in a process called "bred into extinction". More about it I wrote in Neanderthals, Humans and Shared Caves.

During the same time, the cave hosted various dominant animals from the same period, like cave lions, hyenas, and bears. This image is from the local museum of Arandjelovac, and its special space is occupied by the cave bear, fully assembled from the bones found in the cave. The bones belonged to more than one animal and formed a skeleton up to three meters high, which was approximately the average height for the cave bears. Those behemoths could go up to 1 ton in mass and 3.5 meters in height.


In the Balkans, during the last couple of millenniums of coexistence of Homo sapiens and Neanderthals, our ancestors lived mainly along the rivers, especially the Danube to the north, while Neanderthals occupied more inland territories, no doubt in the vicinity of caves like this one. There is strong evidence that Neanderthals buried their dead, most likely not in the caves themselves, which is the main reason for the lack of human remains excavated to date.

Compared to the Risovača, two other caves, Ravništarka, named after the nearby village, and Lazar's cave, named after a rebel man who found shelter there in the time of the Ottoman Empire, stand out with their natural beauty rich in cave jewelry and mineral formations. 


Ravništarka cave is pretty long and one of those river caves with the small stream flowing its entire length. The water dug the whole canal of around 500 meters, and the mountain minerals did the rest. Numerous stalactites and stalagmites decorated the tourist path, like the one in this image, in the shape of a flying horse. Dozens of other pareidolia-decorating wall formations are made of glittering calcite, which under the LED lights gives the amazing feeling of surreality. 

Lazar's cave on the other end, with its large entrance, is probably hiding more history than it is currently known. For its wide space within, it has always been the center of human activity ever since the Copper Age. During the Bronze Age, Lazar's Cave played the role of a hunting station, and in the Iron Age it became a center of metallurgy. Even in recent history, the cave attracted people for multiple reasons. Numerous legends are circulating around, with one claiming that lots of Serbian soldiers hid inside after surviving the battle of Kosovo and the defeat by the invading army of the Ottoman Empire on June 15, 1389. 


Even though the caves could be crowded with tourists, we had luck that all three were free of charge at the opening hours, and browsing the mysterious caverns alone added an extra feeling afterwards. Somehow it felt like we traveled back in time, and all the sites inside caves seen in pristine condition looked unearthly beautiful and alien.

The following photos and videos are the best we could do with modest smartphones in dark light conditions, but some of them turned out really phenomenal.

Risovača cave:
https://photos.app.goo.gl/ienEnC1xypJBdNut7
https://www.youtube.com/watch?v=qwEWXtFiKhE
https://www.nmar.rs/en/risovaca-cave/
 

Historical Fiction of the World War Two

The start of the second world war in the Balkans was known as the "April War", which lasted no more than 10 days in the operation called "Führer Directive No. 25". The swift conflict ended on April 14th in an armistice based on the unconditional surrender of Yugoslav military forces. My grandfather was a 22-year-old corporal in the former Yugoslav army when he was transferred to a war camp in Germany in mid-April 1941, along with 30,000 other surrendered soldiers. He spent the next four years in a Nazi military camp, leaving behind his young wife and 2-year-old son.

I am sure it was not easy for him to cope with the entire time of imprisonment and captivity, especially in the beginning, but considering all the horrors of the most cruel encampments of Nazi Germany, the unconditional surrender of the entire Yugoslav Army came with negotiated terms and an agreement of fair treatment of all the prisoners during captivity in various labor camps in the following years. Perhaps the main trauma for all the former soldiers came in the second part of 1945, after the fall of Hitler's Third Reich, when all of them, along with more than 7 million displaced people, ended up for several months in the chaos of the immediate postwar traumatic experience of trying to find their way home. After his return to Serbia under a completely new regime, life treated him pretty well, and the post-war time is perhaps best described with his own words: "Although I was not a member of the communist party, I think I was respected in society; I became a councilor of the municipality of Nis and a member of the council of the electronic industry. Above all, I was proud of my family and 50 years of marriage."


Doing hard labor in the fields and machine workshop helped him to pass through the war relatively undisturbed, and, if we exclude the short April war in the beginning, I am sure the bullet holes in the car he used to maintain were his only reminder of all the horrors of the war. He was pretty quiet about all that happened to him for years, until one of our family gatherings about thirty years ago when he opened his soul and told us most of what happened in those four years, and especially a couple of those last months in 1945 when he headed back home on foot. 

I only found two of his photos that appear to be from his imprisonment, and I was genuinely surprised that there were any at all. The one with the notebook is the most interesting, and knowing him is also not surprising. Who knows, maybe out there somewhere is still waiting to be found that very notebook, which possibly contains one extraordinary journal along with a couple of potentially untold stories he may have taken with him to the grave and not told to anyone.


Anyhow, what reminded me of my grandfather and inspired me to write all this was the latest Mark Sullivan novel, "The Last Green Valley", a historical fiction following a remarkable story of one displaced family and their unfortunate and, at the same time, amazing adventure from the last year of the Second World War. It really was one great novel with an astonishing feeling composing after each page turned. It simply left me speechless after the last one. 

While we are at historical fiction, I warmly recommend two more titles in the genre: Mark Sullivan's "Beneath a Scarlet Sky", with a similar heartbreaking story from the same period in northern Italy, and Ken Follett's "Hornet Flight", with war adventures based on real events in occupied Denmark.

In the Footsteps of Pino Lella:
https://www.youtube.com/watch?v=8UJfEaFiMK4
 

Serbian Vampires

It was a foggy day on April 6, back in the year 1725, when angry villagers of the rural hamlet of Kisiljevo, Serbia, opened the grave of their neighbor Petar Blagojević, who died eight days before. His death was followed by a spate of nine other sudden deaths and numerous claims by the victims of being throttled by Petar at night. When they cracked the casket open, features associated with vampires, just like they anticipated, were indeed present: the body was undecomposed, the hair and beard had grown, there was a mixture of new skin and nails along with old ones peeled away, and there was blood flowing out of his mouth.

The villagers were accompanied by an official of the Austrian administration (the Austrian Empire governed the area in the early 18th century) and a local priest. The entire case was documented and reported to the officials and covered by Die Wiener Zeitung, a Viennese newspaper, on July 21st. At the time, vampirism was fully embedded into Serbian folklore with numerous Slavic legends and the old village stories from centuries before, especially during harsh times of Turkish occupation. In the aftermath, with the consent of the authorities, they stabbed Petar's heart with a hawthorn and burned the body.


Petar's case was by no means an isolated phenomenon of vampirism in Serbia. Only one year later, in a different village, about one hundred kilometers to the south, a man called Arnaut Pavle came with an even more colorful story. He was a known rebel against the Ottoman Empire who had escaped to the village from the Turkish-controlled part of Serbia, where he had been plagued by a vampire, by his own claims. Allegedly, he had cured himself by eating soil from the vampire's grave and smearing himself with his blood.

Unfortunately, he died soon after during summer labor—he broke his neck in a fall from a hay wagon. In the following weeks, four people claimed to be plagued by him and died shortly after. Similarly to Petar, after the villagers opened his grave, they saw his body unchanged with the same vampire characteristics. The story said when they drove a stake through his heart, he released a frightful shriek as if he were alive. They cut off his head, burnt the whole body, and performed the same procedure with four victims as well to prevent them from becoming vampires as well.


The most respected Serbian philologist and linguist, Vuk Stefanović Karadžić, one of the most important reformers of the modern Serbian language, did thorough inquiries of the old tales, and in his ethnographic research "Belief in things that do not exist", he mentioned vampires as dead people with devilish spirits who enter and revive them after 40 days if their souls are not accepted in the afterlife. The tales indeed contain instructions on how to deal with undecomposed bodies if found in graves, especially those swollen and reddened by what seemed to be human blood. In that illiterate era of the middle ages, when lots of legends and stories in fact survived merely in oral form and transferred from generation to generation only as bedtime stories and were never written down, there is no doubt that colorful fiction is always an inevitable part added to real historical events. More or less, even today, everything in life and death not fully understandable receives fictitious and mysterious additions, especially from religion and vivid human imagination.

Almost three centuries before, back then in the 18th century, little was known about what happens to the body after death. Postmortem purge fluid is one of them. In modern forensics, it is a natural byproduct of decomposition, a reddish blood-like fluid that may or may not exude from the oral and nasal passages after death. Burial in a physical environment (temperature, moisture, and soil properties) with a high deficiency in oxygen often results in slow microbial growth and therefore slow decomposition itself. The body condition is also a factor in the process, as is the nature of the microbial community itself. If we implement all the scientific and medical knowledge of today, it is much easier to separate fiction from what really happened in the Middle Ages. Today we even know a great deal about clinical vampirism, known as Renfield syndrome, which in psychiatric literature is defined as an obsession with drinking blood, and several medical publications are actively concerning themselves with clinical vampirism in scientific literature as well as in forensic psychiatry.


However, on the other side of the science, fiction had its own evolution in past centuries, and vampires received the great portion in written horror stories and movies as well. The word itself in the literature was derived in the early 18th century from the Serbian 'vampir' (Serbian Cyrillic: 'вампир') but it's usage in Serbian folklore is much older. Almost all the old cultures encountered vampirism in one way or another, especially in the old Slavic paganism. There were also beings known as 'lamia/empusa' in old Greek/Roman mythology, with shape-shifting blood-sucking vampiresses, 'baobhan sith' - a female blood-sucking fairy in old Scottish tales—and many others.

Horror fiction with vampires in the foreground/background is not actually my top-notch genre, but from time to time some extraordinary work emerges among all the mediocrities, and 'Constantine's Crossing' by Dejan Stojiljković is just that. The novel follows a main character just before the end of the Second World War in occupied Serbia. Almost all the action is in my own town, where I have been living ever since my birth, and the main premise summarizes the Nazis in a search for the great secret of Constantine the Great, who was the best-known man ever born in this neighborhood in the late 3rd century AD. The author is also native to the town of Niš, known by the name of Naissus in Constantine's time. What is best about the book is that Dejan Stojiljković is perfectly embedding the horror plot into real historical events and people, and perhaps the only downside of the novel is that it is too short for that many characters involved, but nevertheless, it was by far the best horror novel I've read in a while. The accompanying graphic novel is amazing as well, and I warmly recommend both. Below in the ref section, there are more stories related to Naissus, Constantine, and WW2 in this part that could help with understanding the background better.



Medical refs:
Serbia refs:
https://en.wikipedia.org/wiki/Vampire 
 

In the Footsteps of Pino Lella

It doesn't happen often that after reading a book, you can compare most of the places and some of the portrayed characters with real sites and buildings along with real protagonists from the historical story. Actually, this never happened to me before, and after I'd reached the last cover of 'Beneath a Scarlet Sky', a novel written by Mark Sullivan, published in 2017, I saw the rare opportunity of visiting the city where it all happened and where all the sites still stand today. Not much later, and after my entire family read the novel or at least got familiar with the story, we packed our backpacks and hit the road. In the aftermath, the result is this blog post along with an embedded video story as a documentary of the half-day walking tour of Milan in Italy, where everything happened more than 70 years ago. In the spirit of a fair warning, I advise you to read the book first before watching the video since it might spoil the reading for you or to wait for an upcoming series or movie with Tom Holland in the lead role.


The novel is based on the true story of an Italian teenager, Pino Lella, who lived in Milan during the second world war and, within the last two years until the very end of WW2, helped many Jewish people escape to Switzerland over the Alps and, in the final year, acted as a spy for freedom fighters while being a personal driver for General Hans Leyers, Adolf Hitler’s left hand in northern Italy. Pino survived all the horrors of the war and the Nazi occupation and deeply fell in love with Anna, a girl he met on the streets of Milan on the day of the first bombing of the city. He constantly dreamed about the future they would one day share.

This book tour would not be possible at all without fantastic Valeria Andreoli from BellaMilano, who guided us throughout Milan beautifully for almost five full hours! It was amazing to mix the real streets, all the buildings, the castle and the cathedral, hotels, the train station, and even the monumental cemetery with our vividly built images of all the places we already formed from the book and Mark Sullivan's amazing narrative.



Undoubtedly, spending three days in Milan for us provided lots of more opportunities for visiting the history back to the time all the way to Leonardo da Vinci. Around the year 1482, he moved to Milan to work for the duke of Milan, Ludovico Sforza, as an engineer, sculptor, painter, and architect. Until 1499, when Milan was invaded by the French, he left behind the 'Last Supper', a famous mural painting of Jesus and the twelve apostles; many paintings, including 'The Virgin of the Rocks', Milan's Narvigly, the system of navigable canals to ferry people and merchandise in and out of the city, 'Leonardo`s horse', an uncompleted equestrian sculpture; and many more.

We were especially interested in Leonardo's engineering projects and his machines, models, and sketches displayed in 'Museo Nazionale Scienza e Tecnologia—Leonardo da Vinci' and within a new exhibition dedicated to this amazing man called 'Leonardo3' stationed in 'Galleria Vittorio Emanuele II', another Milan landmark from the 19th century. This second video log of Viktor's shows a glimpse of what we managed to visit and learn.



(Un)expectedly, at the end of our first visit to this great city, we have left with much more footage from what we initially planned to make with Pino Lella's and Leonardo's stories. All these are now packed in this third video embedded above, and if you like to see more of Valeria and stories hidden behind Leonardo's paintings, especially the ones he did in the Sforza Castle, if you want to learn what you need to do if you are in search of a good luck charm during your first visit to the legendary 19th-century shopping mall, or if you are eager to check out one great Italian restaurant along with a couple of more places we managed to visit, this is the video definitely worth clicking on.

As for us, I am more than sure that Milan definitely didn't see us wandering its streets for the last time. The rest of Italy too.

The book references:
https://bellamilanotours.com/footsteps-pino-lella/
https://marksullivanbooks.com/

Beneath a Scarlet Sky:
https://www.goodreads.com/book/show/32487617-beneath-a-scarlet-sky (en)
https://www.newtoncompton.com/libro/lultimo-eroe-sopravvissuto (it)
https://www.knjizare-vulkan.rs/istorijski-roman/44294-pod-grimiznim-nebom (srb)

Museums:
https://www.museoscienza.org/en
http://www.leonardo3.net/en/
 

Adventurous Travels for 6th Graders

Geographically lying in the heart of the Balkan peninsula, the small town of Svrljig is acting as the capital of a relatively small Serbian land surrounded by exactly 38 villages that are, demographically speaking, living their lives on the edge of extinction. In just half a century, the human population of the area is more than halved, with more and more 'haunted-like' villages containing more empty houses than those with smoked winter chimneys, in which more people die than are born. The past of the area went through numerous changes over time and was pretty colorful, to say the least. Like everywhere else, ever since the written literacy spread its wings only a millennium ago, the history of Svrljig is pretty well documented ever since the great Schism of the 11th century, and we pretty much know what it was like to live here down to that time.


But history goes even further in the past—to those times we know little about, and all we have are a ruin here and there we can try to understand and build a time frame and story behind it. If you want to explore such sites and build a speculation or two standing in the middle of a stone pile that once was a dignified wall of an ancient villa or a military tower of thermae, Svrljig is a perfect place to start with. Moreover, if you want to experience nature at its greatest and to stumble upon sites of pure beauty just next to the modern ruins of almost empty villages and barely standing houses in contrast, you are just where you want to be. If you are a 6th grader with your own Indiana Jones hat and modern GoPro camera, even better.

Historically and in every way considered, the grand jewel title of all the Svrljig adventurous travels goes to the gorgeous Niševac gorge. This was the prime location of ancient life, lying just next to the Roman main road connecting the Adriatic Sea and Danube River, wide enough to carry a luxury chariot without heavy disturbance from the built stones and strong enough to support the passage of the heaviest army of the time (there's evidence of the First Cohort of Cretans stationed around here). The gorge was an ancient spa once with strong mineral springs with healing properties perfect for a settlement that once existed and was named Timaco Maiori (Timacum Maius). The road and the town were recorded by Tabula Peutingeriana, an ancient Roman road map with its seventh section along the way of the ancient cities of Lissus, Naissus, and Rataria. The mineral springs and wellheads no longer exist today due to violent geological events in previous millennia, or they are just depleted by now, but the beauty of the ancient site is still alive, and it is not hard to imagine what it once looked like.



The ruins go even further in time in this area with archaeological evidence of Paleo-Balkan tribes. Before the Romans, this area was once home to the Triballi, a Thracian tribe that lived in the same times as the Celts, Scythians, and Illyrians in the prehistory of Southeastern Europe. Along with all the other extinct Indo-European people and their languages of the Balkans, Triballi fully dispersed during the Hellenization, Romanization, and Slavicization of the region over the eons. It's maybe harsh to say, but most likely Triballi, just like other people who lived here and built their settlements ever since the Neolithic, are now only part of our genes and heritage; we have no substantial knowledge of.

But to get back to the travel itself, we had luck this summer since the railway was closed and traffic-free due to maintenance and rail replacement, and while hiking Niševac gorge, a 1.5 km-long canyon carved in calcium carbonate rocks from the Mesozoic period, we took the chance and stood on the Milutin Milanković bridge, 15 or so meters above an ancient river, designed at the dawn of the first world war by one of the most famous Serbian scientists.



The river name originated back to the Triballi people, who were the first to name it Timahos, which is just one of the words from an extinct Indo-European language that more or less means 'black water'. This particular stream is just one of five rivers that bind together into one of the biggest tributaries of the mighty Danube. The Romans used to call it Timacus or Timaco, and the name stayed until today with the Serbian version of Timok. Our next stop on this summer's travels was exactly 25 kilometers upstream, not far from the spot where the river springs into life. The place is called Pandiralo, and it is literally one of a kind natural phenomena where Timok sinks into a cave and appears again about 750 meters later with around 30 meters of difference in altitude. The legend says the cave goes even further under the mountain and connects other streams as well, but this is still unknown to this date. It was also a one-of-a-kind opportunity to create three messages in the bottle, which Viktor threw into the pit, and hopefully, when the water rises, they will sink with the river, and maybe somebody will find them in the future. Who knows, maybe they will appear somewhere unexpected.

Finally, and unrelated to the river, we also had a short trip to the Samar cave entrance (Milutin’s Cave in the village of Kopajkošara on the slopes of the Kalafat mountain, some 15 kilometers west of Svrljig) and the natural Popšica pool close by. The cave earned its nickname after Milutin Veljković, a well-known Serbian speleologist in his time, who, starting in the year 1969, spent 464 days in the cave, breaking the world record in bivouacking in an underground space. While we didn't enter the cave, as it requires special equipment and guided help, we still had a unique experience of the site, which we are hoping to visit again for a more thorough investigation, including passing through the entire cave from end to end, but I am afraid this is a little bit above the pay grade of 6th graders, and we will have to wait for a year or two. Or three. Or even more.



Svrljig neighborhood and the town itself are one of those inspirational destinations with the power to hook you for years of returning trips, and the beauty lies in the wilderness of the whole experience. There are no fences or limited areas here, and the only guide is yourself and your wanderlust gene. The food in restaurants is divine, and the mountain air comes with healing abilities if you stay long enough. The Svrljig area extends to the east to the famous Balkan mountains, the backbone of the largest peninsula of southern Europe, with more sites that come naturally enriched with a variety of elements, including uranium ore.

I am definitely affected by the Svrljig geography and history as well, to the level that one of my science fiction stories included this particular area as the main plot for Arty's adventure. If you are eager to explore the story, it is based on "Serbian Kryptonite", the Jadarite mineral with a chemical formula similar to the formula invented for the fictional substance kryptonite in the 2006 film 'Superman Returns'. The story is the final chapter of the FAR-T1 novel you can find on the blog.

Location and Character of Timacum Maius
https://www.academia.edu/5901475/.../Location_and_Character_of_Timacum_Maius

Traces of the Roman Naissus–Ratiaria Road
http://www.doiserbia.nb.rs/img/doi/

Milutin Milanković
https://en.wikipedia.org/wiki/Milutin_Milankovic

Tabula Peutingeria
https://upload.wikimedia.org/wikipedia/commons/1/1d/Extends_of_the_Tabula_Peutingeria.png

Tabula Peutingeriane VII (nowadays Serbia)
https://sr.wikipedia.org/wiki/Tabula_Peutingeriana_Serbia.jpg

The First Cohort of Cretans, a Roman Military Unit at Timacum Maius
https://www.academia.edu/.../The_First_Cohort_of_Cretans

Samar Cave Adventure
https://naturetraveloffice.com/en/avanture/caving/avantura-samar/

Samar Cave, a forgotten jewel worthy of Guinness record
https://www.itinari.com/samar-cave-a-forgotten-jewel-worthy-of-guinness-record-knx9
 

Fairies of Naissus

In pre-Christian mythologies of the western and northern tribes and their pagan beliefs, female deities were not uncommon. Take, for instance, old Gaul's Matres or Valkyries of the old Norse mythology and, of course, all the goddesses from the history of all polytheistic religions around the globe. But perhaps the most interesting of them all are, you guessed it, the fairies. They are not actually deities per se and rather belong to the spirit realm of the afterlife and dead, but still you can find them, in one form or another, in almost all religious legends and myths. The city where I was born, the valley it resides in, and the river that splits it in half are no different. The history of this area is, metaphorically speaking, very colorful and full of wonders, all the way to the beginning of the Neolithic era, and over the centuries this valley literally saw lots of different cultures and deities. One of them dates way back to the Celtic Gauls and their tribe named Scordisci, who lived in this neighborhood almost 24 centuries ago. They were the ones who named the river and the first settlement Naissa/Navissos, which pretty much means 'the river and town of fairies'. Whether or not this area in BC was flooded with fairies, or perhaps the geography of it resembled their beliefs, or even the very "Celtic Otherworld" was pictured and portrayed like our own neighborhood, the name survived for centuries, and despite numerous conquerors and different cultures, the fairies stayed in the name and the 'spirit' of the town all the way till today. Perhaps the first document that 'officially' coined Celtic's name was published in Alexandria by the famous Claudius Ptolemy in his masterpiece 'Geography' (around AD 150), in which he mentioned Ναϊςςός (Latin: Naissus) as 'first among the four largest towns in Roman Dardania'*.

Kristine Opolais in Dvořák’s 'Rusalka' - The Met Opera***

When I said the town inherited not only the 'fairy tale' name but also the spirit that it is still living in legends and myths, what I really had in mind was one particular spot on the northern hill named 'Metoh' and the outskirts of the town where, almost throughout the millennium, stands a ruin of an old temple built on that particular spot by one of the Byzantine emperors in the 11th century. The official name of the temple was 'Holy Trinity Church', but over time it earned the prefix 'Rusalija', which pretty much originated from old Serbian folklore and, no doubt, connects the church with Rusalkas, mythical water nymphs or female spirits from old pagan Slavic mythology. In some Slavic languages, Russian included, the word 'rusalka' translated to English literally means 'mermaid'. This variation of immortal creatures from the spirit world is completely opposite from the 'Tinkerbell' kind of fairies; instead, they could be very malevolent and dangerous young undead girls who died in or near a river or a lake and spent eternity haunting the waterway. With their long red hair and beautiful appearance and singing, they lure young men into the depths to their deaths. In Serbian stories, even hearing their song results in immediate deafness. They are the most deadly for an entire week, 50 days after Easter, which comes in late May or early June every year. As it seems, legends say that they are only afraid of wormwood and garlic, so try to have them with you if you are a true believer.

'Holy Trinity Rusalija' - abandoned temple from 11th century

Well, we didn't have any garlic in our pockets last November when we visited the church, and I truly hated my curiosity when I read about Rusalkas before we drove there. Sometimes it is extremely wise to read about horror myths after you visit the spot where these malicious fairies live. Firstly, the site was eerie—the church is abandoned, and to get to it, you have to drive through the old graveyard. People seem to visit the place only once a year, during 'Holy Trinity' week. Secondly, the weather was way too windy and spooky, and I had to engage all my driving skills to enter the churchyard; the car simply didn't want to enter due to the poor quality of the stone entrance and kept rolling backwards. Thirdly, it was almost sunset, part of the day usually identified with 'twilight hour'. When we finally got inside, my wife refused to get out of the car, and in a couple of minutes of intense bravery, only Viktor and I went out to take a couple of photos. Needless to say, the feeling was truly cheerless, and the only bright part of the site was the view. The location was perfect, and we glimpsed the entire city with a large orange sun on the horizon, and I finally took one of the best sunsets in our collection along with great shots of the little temple itself. Confidentially speaking, if Viktor didn't bring his plastic gun toy, we would probably stay less time listening to that spooky Rusalka's songs... or heavy wind whistles... or whatever it was. Although I would be feeling much safer with a couple of garlic cloves... Ahem ...

The sunset from the 'Holy Trinity' church (Metoh hill)

However, besides city and river names, the history of this area in BC is not very well documented, archaeologically speaking, and even though there is plenty of evidence and finds, before Ptolemy's reference, nothing is certain. But the names are always interesting, and as they survive millennia, there are many speculations of their origin. Celtic 'Navissos' is no doubt related to fairies; I mean, even the word 'fairy' was coined by ancient Gauls in what is nowadays France, and the root is in the Old French word 'faerie', which means 'enchantment' or 'under the spell'. However, even before the Celtic invasion of the Balkans in the 3rd century BC, this land was populated with various forms of societies and civilization. It lies on the crossroads between north and south and west and east, and as I described in post Constantine & Naissus, it was always under siege or some sort of raid. Due to this geographic misfortune, one tribe never managed to rule this area for, relatively speaking, long periods of time. Before the Celtic tribe of Scordisci, who stayed here after the Celts retreated from the invasion of Greece, the land was occupied by people of Dardani, who originated either from an estranged Illyrian tribe or, as some scholars suggest, directly from the ancient city of Dardania, located next to the city of Troy, as described in Homer's Illiad, who moved to the Balkans millennia before AD. Even before Dardani's rule, at some point in the 4th century this area was raided and occupied by Triballi tribes, and if you add Greeks and Romans and constant threats from Goths and Huns from the north and far east, you'd get the picture of how unwise it was to settle around here in ancient times. Anyhow, the point is that almost everybody managed to spend some time here and to contribute a little in those violent times. Or, to be precise, to contribute to everything but changing the original name that stayed the same from the very beginning.

Niš downtown by the old fortress and Nišava river

So let's try to summarize the names from all those conquerors over time: Navissos, Ναϊσσός, Naissus, Nais, Niş, and Niš, all of them related to fairies in different languages. Perhaps the most interesting connection with the name is during Greek rule, especially from the golden prosperity times of Macedonian expansion at some point centuries before Christ. In Greek mythology exists the famous mountain of Nysa, which was the traditional place where the rain nymphs (Hyades) raised the semi-god Dionysus, who was one of those bad guys from Olympus—the god of wine, ritual madness, and religious ecstasy. And to quote Wikipedia, Dionysus represents everything that is chaotic, dangerous, and unexpected, everything that escapes human reason and that can only be attributed to the unforeseeable action of the gods. I guess there is no need to add that one hypothesis of the location of Nysa (which is still unknown if it's not made up) is within ancient Tribalia or, pretty much... this neighborhood again. Tribalia and triballian tribes were located entirely in what is nowadays Eastern Serbia, which borders the Niš Valley and its northeastern mountains. By the myth, and just like their half-sisters, sea-nymphs Pleiades and rain-nymphs Hyades were transformed into a cluster of stars that was afterwards associated with rain. So if you look up on a bright starry night and see the Hyades in the constellation of Taurus, which is the nearest open star cluster to the Solar System, remember that their five brightest stars might have been living just around within my north neighboring mountains in their... fairy existence.

Ivan Kramskoi, Русалки (Rusalki), 1871

Of course, Greek mythology doesn't end this story about the origin of the name of my birth town with fairies. Even in Scandinavian mythology, there is a 'Nis', a dwarfed male fairy in Danish Jutland (Nisse god-dreng, Nisse good lad**), who offers his help to run households if, of course, he is pleased by a treat (groute) every evening. In the end, I am sure that Niš, or old Naissus, if you will, is one of the rarest cities on the planet with a real fairytale in its name origin, and I would really like to see a tribute to fairies, even to the evil Rusalkas, in the form of some sort of street art or museum or something that could show a modest traveler, tourist, or web surfer not only the history of one town's name but also a hint of how once our ancestors pictured the spirit world and their interaction with people. If this happens anytime in the future, this post will definitely get its sequel with hopefully great photos and more stories.

Inage credits and direct refs:
*** https://www.nytimes.com/2017/02/03/arts...rusalka.html
* http://www.poesialatina.it/_ns/greek/testi/Claudius_Ptolemaeus/Geographia_(lib._1-3).html
** http://www.celtic-twilight.com/otherworld/fairy_mythology/scandinavia3.htm
http://www.guideforthearts.com/renee-fleming-to-star-in-the-title-role-of-rusalka/
http://celticruins.blogspot.rs/2014/06/fairies-haunt-springs-wells-and-rivers.html
http://www.niscafe.com/grad-nis/

Refs:
https://en.wikipedia.org/wiki/Rusalka
http://www.timelessmyths.com/celtic/faeries.html
http://celticruins.blogspot.rs/2014/06/fairies-haunt-springs-wells-and-rivers.html
http://celticruins.blogspot.rs/2014_06_01_archive.html
http://www.panacomp.net/serbia?mesto=srbija_sveta%20trojica%20matejevac
https://en.wikipedia.org/wiki/Scordisci
http://www.doiserbia.nb.rs/img/doi/0350-7653/2006/0350-76530637007P.pdf
http://www.historyfiles.co.uk/KingListsMiddEast/AnatoliaDardania.htm
https://en.wikipedia.org/wiki/Nysa_(mythology)
 

Early Man in Motion Picture

There is a period of time we are familiar with the acronym "BC". It stands, of course, for "Before Christ", the period before the famous tale about the origin of the Christian religion. But this time goes far behind Jesus. Far beyond the origin of all monotheistic religions. It goes even before the eons when our ancestors knew gods in the plural and to the ages when modern humans started their everlasting and ongoing endeavors. The time in prehistory was occupied with the endless wonders of surrounding nature without firm beliefs but surely filled with many invisible divine spirits and mysterious stars.

Due to the illiteracy of the period, there's almost nothing tangible we could use to gain full knowledge of what early society really looked like, and even though we know a great deal about those times only by analyzing cave walls, fossil records, and DNA samples, in order to describe one early settlement, we still must use lots of imagination and scientific guesses.


Personally and definitely caused by the mystery of the ancient times, I do enjoy reading and, in this case, watching fictitious stories about early people, events, and how everything was in the beginning. Hence, if we stay in the realm of motion pictures, I want to share four movie recommendations from the rather small pile of films covering prehistory free of wild imagination that might be anthropologically correct. So, let's start in, appropriately, in chronological and descending order, starting with the latest film about the earliest period of prehistory in all four movies. The story is about the first joint adventures of man and man's best friends. The wolves. Well, you know... the dogs.

Portraying Europe at the end of the Pleistocene epoch some 20,000 years ago, Alpha is telling an adventurous story of Keda, a teenage boy on his first hunting trip, and Alpha, the first domesticated wolf. They struggle to survive the harsh environment of the last ice age and, along the way, learn to enjoy new special friendships among two species. Something we are taking for granted in our very contemporary age. Three things about this movie are fascinating: for one, there are no human villains in the film, and this is amazing for nowadays movies, and yet the story works just as perfectly. Secondly, I learned something I didn't know: Alpha was played by a real Czechoslovakian Wolfdog, a mix between a German shepherd and real Carpathian wolves created for military purposes. I always admired German shepherds, but I have to say that this relatively new breed is really magnificent in every way. Finally, the language they used is a fictional one, fully developed for the movie by Christine Schreyer, an associate professor of anthropology at the University of British Columbia who used three ancestral languages in the process, and this effort alone gave the movie a genuine and really extraordinary feeling.


The next two movies went even further in the past. The set was still the Eurasian continent, and the time could be estimated at some 30-40K BC, when one of the kind events in the history of two dominant species happened. It was the time when our ancestors started to populate the area that was already taken by Neanderthals. Barely compatible, this caused the death of the weakest and most unprepared party in conflict. It is still a mystery what exactly was happening in those shared periods that probably lasted hundreds or more likely thousands of years, but in the aftermath, just like proposed in one of the movies, Neanderthals suffered and died out from both major issues: their bodies were totally unprepared for new diseases humans unknowingly delivered, and equally important, their minds couldn't stand or understand the violent behavior of newcomers.

Ao, le dernier Néandertal and The Clan of the Cave Bear are both dealing with the collision of two dominant humanoid species of the time only from different angles. At first, Ao was a desperate Neanderthal man whose family was brutally murdered by modern humans, and he was forced to seek his life elsewhere and find happiness with a homo sapiens woman. The movie offers outstanding performances by Aruna Shields and especially Simon Paul Sutton, who portrayed the story with one word—perfectly. The same goes for Jean Auel's first book of the "Earth's Children" series and the movie with the same name. Here, the script is the opposite and follows young girl Ayla, who finds shelter within the Neanderthal clan. It's hard to say which film is more appealing, historically accurate, better performed, and better made, but if you choose to watch them, entertainment filled with drama, adventure, and even romance is guaranteed.


Finally, if we go even further into the past, more or less 80000 years ago, in the time of tribal societies where the fire was a luxury and hard to find, the last film recommendation was the oldest movie of them all. Quest for Fire was filmed back in 1981, and it was the first movie I watched from this genre. I remember I was fascinated with scenes with mammoths who were played by circus elephants in full wardrobe and trained lions in the role of saber-toothed tigers. In short, three cavemen are sent on the quest to find the fire, for which they still don't have the knowledge of how to start it. The quest turned into a real adventure, and what they learned and returned to their cave was priceless. And I am not talking just about fire. Enough said.

Refs:
https://www.milanzivic.com/2015/10/neanderthals-humans-and-shared-caves.html
https://www.livescience.com/40311-pleistocene-epoch.html
https://en.wikipedia.org/wiki/Czechoslovakian_Wolfdog
https://www.thestar.com/vancouver/2018/08/23/bc-professor-creates-language-for-alpha
https://www.cbc.ca/arts/the-wild-story-behind-quest-for-fire