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Serbian Vampires

It was a foggy day on April 6, back in the year 1725, when angry villagers of the rural hamlet of Kisiljevo, Serbia, opened the grave of their neighbor Petar Blagojević, who died eight days before. His death was followed by a spate of nine other sudden deaths and numerous claims by the victims of being throttled by Petar at night. When they cracked the casket open, features associated with vampires, just like they anticipated, were indeed present: the body was undecomposed, the hair and beard were grown, there was a mixture of new skin and nails along with old ones peeled away, and there was blood flowing out of his mouth.

The villagers were accompanied by an official of the Austrian administration (the Austrian Empire governed the area in the early 18th century) and a local priest. The entire case was documented and reported to the officials and covered by Die Wiener Zeitung, a Viennese newspaper, on July 21st. At the time, vampirism was fully embedded into Serbian folklore with numerous Slavic legends and the old village stories from centuries before, especially during harsh times of Turkish occupation. In the aftermath, with the consent of the authorities, they stabbed Petar's heart with a hawthorn and burned the body.


Petar's case was by no means an isolated phenomenon of vampirism in Serbia. Only one year later, in a different village, about one hundred kilometers to the south, a man called Arnaut Pavle came with an even more colorful story. He was a known rebel against the Ottoman Empire who had escaped to the village from the Turkish-controlled part of Serbia, where he had been plagued by a vampire, by his own claims. Allegedly, he had cured himself by eating soil from the vampire's grave and smearing himself with his blood.

Unfortunately, he died soon after during summer labor—he broke his neck in a fall from a hay wagon. In the following weeks, four people claimed to be plagued by him and died shortly after. Similarly to Petar, after the villagers opened his grave, they saw his body unchanged with the same vampire characteristics. The story said when they drove a stake through his heart, he released a frightful shriek as if he were alive. They cut off his head, burnt the whole body, and performed the same procedure with four victims as well to prevent them from becoming vampires as well.


The most respected Serbian philologist and linguist, Vuk Stefanović Karadžić, one of the most important reformers of the modern Serbian language, did thorough inquiries of the old tales, and in his ethnographic research "Belief in things that do not exist", he mentioned vampires as dead people with devilish spirits who enter and revive them after 40 days if their souls are not accepted in the afterlife. The tales indeed contain instructions on how to deal with undecomposed bodies if found in graves, especially those swollen and reddened by what seemed to be human blood. In that illiterate era of the middle ages, when lots of legends and stories in fact survived merely in oral form and transferred from generation to generation only as bedtime stories and were never written down, there is no doubt that colorful fiction is always an inevitable part added to real historical events. More or less, even today, everything in life and death not fully understandable receives fictitious and mysterious additions, especially from religion and vivid human imagination.

Almost three centuries before, back then in the 18th century, little was known about what happens to the body after death. Postmortem purge fluid is one of them. In modern forensics, it is a natural byproduct of decomposition, a reddish blood-like fluid that may or may not exude from the oral and nasal passages after death. Burial in a physical environment (temperature, moisture, and soil properties) with a high deficiency in oxygen often results in slow microbial growth and therefore slow decomposition itself. The body condition is also a factor in the process, as is the nature of the microbial community itself. If we implement all the scientific and medical knowledge of today, it is much easier to separate fiction from what really happened in the Middle Ages. Today we even know a great deal about clinical vampirism, known as Renfield syndrome, which in psychiatric literature is defined as an obsession with drinking blood, and several medical publications are actively concerning themselves with clinical vampirism in scientific literature as well as in forensic psychiatry.


However, on the other side of the science, fiction had its own evolution in past centuries, and vampires received the great portion in written horror stories and movies as well. The word itself in the literature was derived in the early 18th century from the Serbian 'vampir' (Serbian Cyrillic: 'вампир') but it's usage in Serbian folklore is much older. Almost all the old cultures encountered vampirism in one way or another, especially in the old Slavic paganism. There were also beings known as 'lamia/empusa' in old Greek/Roman mythology, with shape-shifting blood-sucking vampiresses, 'baobhan sith' - a female blood-sucking fairy in old Scottish tales—and many others.

Horror fiction with vampires in the fore/background is not actually my top-notch genre, but from time to time some extraordinary work emerges among all the mediocrities, and 'Constantine's Crossing' by Dejan Stojiljković is just that. The novel is following a main character just before the end of the second world war in occupied Serbia. Almost all the action is in my own town, where I am living ever since my birth, and the main premise summarizes the Nazis in a search for the great secret of Constantine the Great, who was the best-known man ever born in this neighborhood in the late 3rd century AD. The author is also native to the town of Niš, known by the name of Naissus in Constantine's time. What is the best about the book is that Dejan Stojiljković is perfectly embedding the horror plot into real historical events and people, and perhaps the only downside of the novel is that it is too short for that many characters involved, but nevertheless it was by far the best horror novel I read in a while. The accompanying graphic novel is amazing as well, and I warmly recommend both. Below in the ref section, there are more stories related to Naissus, Constantine, and WW2 in this part that could help with understanding the background better.



Medical refs:
Serbia refs:
https://en.wikipedia.org/wiki/Vampire