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Saronic Islands with Rackpeople

I have no sailor material in me. At all. I don't mean qualified skills that are fascinating and easily acquired through study and experience. I mean literally and physically, my body is simply not built for the navy. I realized that when I entered those 4D/5D theaters for the first (and last) time, about a dozen years ago. I remember anxiously waiting for that sophisticated motion ride system built into movie theater seats to come to my city, and when it finally arrived, I was among the first in the ticket line... And I was the first to get out of the small theater with a terrible motion sickness thundering throughout my entire body. I should have guessed what was going to happen after seeing the title of the short film had the word "rollercoaster" in it. I fully recovered more than 24 hours later. After that, I never stepped into any movie theater with more than a 3D label on its front gate. Sometimes, even in those, I check if the chair is fixed solid.

To be honest, I knew the outcome would be like this because it has happened to me many times at sea during summer vacations, and every time I promised myself the dancing boat floors would never see my foot again. However, in my case, it's just that all those self-promises are easy to reject when new experiences and adventures knock on the door. In that spirit, when my good friend Lasse, the head of Rackpeople, one of the leading IT companies in Copenhagen, asked me to join the cruise around the Saronic Islands this May in Greece, without thinking, I said yes. How could I say no to seeing all the wonders of the Saronic Gulf, its crystal blue waters, the amazing history of Ancient Greece, and the place where Themistocles' outmatched fleet defeated the forces of King Xerxes and drove the Persian army back to Asia, never to try again to conquer the Greek mainland?⁣

Bastions with old cannons at the Hydra entrance

The cruise started on the island of Hydra. I boarded a catamaran yacht, medium-sized but impressive in every way. Fortunately for me, the first two days of the cruise passed with extremely calm seas and enjoyable spring weather, which is usual for the Saronic Gulf at this time of the year. As for the island itself, two things immediately caught my eye. The residential area is so compact that there is simply no room for any type of motor vehicle, and by law, cars and motorcycles are not allowed (except for garbage trucks). To travel outside the port town, the only means are horses, mules, donkeys, and water taxis. The second site was bastions on the port entrance with lots of cannons still pointing toward the sea. They originated in the 18th century in order to protect the island from assault by the Ottoman fleet and pirates during the Greek war for independence.

At first, I thought that the island's name was connected to the legendary myth of the Lernaean Hydra, the multiheaded water monster who was slain by Heracles in his second labor, but unfortunately, very little is known about the ancient times of the island. The name in Greek is simply derived from the word "water" (ὕδρα). Although, in classical Greece, Lerna was a region of springs and a former lake near the east coast of the Peloponnesus, which is close to the island of Hydra, just across the strait, and in ancient myths was represented as one of the entrances to the Underworld.

The view from Poros Clock Tower

The next destination, and where we spent the first night, was the well-known tourist destination, the island of Poros. It lies on the other side of Argolis, the eastern part of the region of Peloponnese, where it acts as the Saronic Gulf's southern arm. The Poros' main port is separated from the Peloponnese only by a 200-meter-wide sea channel, and my main impression in the morning was that of the poor little ferry, which is breaking the perfect silence connecting Poros with the town of Galatas across the strait every half hour. Sometimes carrying only a couple of people across. I'm sure a future bridge would be something worth building.

Fortunately, and I mean it when I say it out loud, we had ex-Royal Danish Navy sailors at the helm of every boat. If it weren't for them, we wouldn't have running exercises in the morning, and if we hadn't had a morning run, we wouldn't have passed through the phenomenally narrow streets of the small town that stretch through the entire hillside by the marina. Running (and sometimes walking while catching our breath) down and up the small streets and countless stairs from the harbor to the famous clock tower made me think and better understand the life in such small towns where you can feel the ease of living life to the fullest.

Rackpeople at the Moni island and photos from the mainland

The next day was absolutely the best one on the cruise. It started with the sailing competition between the two boats. In the best spirit of the teambuilding activity, we competed in sailing between Poros Marine and Moni Island, the strange islet in the middle of the Saronic Gulf that absolutely hates humans, but let's get back to that later. One would think shutting the engines down and sailing at a speed of, on some occasions, less than one nautical mile per hour and sailing only by using maps, compass, and wind arrow is ridiculous, but it is the complete opposite. It requires full team effort and cooperation, just like in tech companies, and it was one amazing experience. From the navigation part, through speed and time tracking, steering the ship, and hard work with two sails, everything had to be synchronized and precise, and when inexperienced IT people do it, the result is exceptional and filled with all possible sailing phases, from challenges in understanding the basics of sailing and navigation to all the comical moments we went through but also all those proud moments when you realize you've done something right.

As for the Moni island, half of it is rocky and barren, but what was most interesting was its other half. The only inhabitants of that part are a family of wild peacocks, deer, wild goats, including Cretan ibexes, and, of course, many squirrels. Humans are limited to the only seasonal beach accessed only by sea, including us that day. The animals are not afraid of humans and wandered free even on the skirts of the forests, where ruins of humans's attempts to inhabit the Moni are visible all over. The old men of Aegina Island across the bay tell various stories about the history of the island that always include curses, inexplicable destructions, three fires, and an ongoing struggle between the divine forces and human stubbornness. Telling in whispers, they say that always when people tried to inhabit the island, no matter if that was in the Byzantine period when they tried to turn the island into a dairy farm or during the 1970s, when the island served as an organized camping spot, it always ended in large fires that devastated the little island to the full.

The spirit of Rackpeople after a long but a great day

But the sightseeing of the Moni after the cruise competition wasn't the end of the day. It continued with one amazing lecture given by Erik, the second ship captain, about leadership, relations between competence and confidence among team members, and all the connections between tech companies and sailing. The epilogue of the competition itself was unclear and ultimately not important; what mattered the most was great spirit and team-building closure, which ended in singing popular songs led by the first ship captain, Lasse, who surprised us all with his musical talent, which was not left unrewarded even by the people on the neighboring yachts with thunderous applause.

Unfortunately, in the spirit of the Moni Island hatred for people, that night came really nasty weather from nowhere. In the morning it turned into a small windy rollercoaster that woke me up with the first sunshine. I came on deck to find a spot where I could pass it as best I could, but soon it was the 4D movie theater all over again. Only this time it lasted several hours, and I sadly realized that the cruise for me is over, as I knew I would need more than a day to recover. After a couple of hours of 'pros and cons' measuring, with great regret, I opted out of the remainder of the trip. After all, being on the boat is all about being part of it; otherwise, it is something else entirely.


The Seaview from the hotel Methanion

At the next marina, a taxi took me to the nearby port town of Methana, where I missed the last ferry by an hour, so I went straight to the first hotel, where I took the night to recover. There, I witnessed a warm hospitality by the hotel owner, something I only felt before in Greece, especially in my childhood when we were visiting the country frequently on family vacations. Serbia and Greece have had this unusual friendship between the two countries from time immemorial. There was no part in the history of the two countries with any animosities between the two, let alone any conflicts or wars. So it's always nice to see a genuine smile on people's faces when I say where I am coming from. Anyhow, when she heard I am Serbian, with the warmest smile, she said, 'I will give you the best sea view in Methana'. And the best it was.

It turned out Methana is not an island at all. The best I could describe it is a 'wannabe island' peninsula. It has an island shape but is connected to the Peloponnese with a narrow land bridge. Methana is entirely of active volcanic origin, with the last eruption occurring in the 3rd century BC. Due to the pressure of the plate of North Africa, which slid under the Asia and European plates, there were active tectonic movements on the line of the Aegean islands, which include Methana, Milos, Santorini, and Nisyros. As it seems, the future of volcanism in Greece is not yet written, and Methana is one of the volcanoes that unfortunately has not yet said its last word. The last great eruption in Greece was the Minoan super-volcanic catastrophe that reshaped the island of Thera in the middle of the second millennium BC and devastated the entire Mediterranean for years.

Aegina port seen from the ferry

As a central island of the Saronic Gulf, Aegina shared the rich history of ancient Greece with other independent states. It was inhabited since the Neolithic and was at the peak of power around the 7th century BC and after, due to its strategic position. The Aegina economy was strong and competed with Athena with silver coins as a currency recognized in other states. They were rivals for many years, and Aegina even made a close collaboration with Persia until the battle of Salamis (480 BC), when the island ultimately sided with Themistocles. The rest of the history of Aegina's independence was full of turmoil, but its glory at the end faded out through numerous invaders and occupations in the face of Macedon, Romans, Venice, and Ottomans. Today it is a holiday and weekend resort for Athenians and tourists worldwide. Just next to it, Agistri, a small pine-clad island with pristine beaches and crystal-clear waters, shared the history of neighboring Aegina Island and considered being part of its statehood. It was unfortunately not a part of the cruise. Perhaps in the years to follow.

Finally, and historically, the most famous island is Salamina, where the already-mentioned battle of Salamis took place two millennia ago. It is the largest Greek island in the Saronic Gulf, and due to its close proximity to Piraeus, it is not the best choice for vacation time. If we add the fact that the northern part of the island is a home for the largest naval base of the Hellenic Navy, it is clear that the island is not as popular a tourist destination as the other islands, but it is far from lacking destinations worth attention. If I happen to visit it in the future, on the top of my list would be monuments dedicated to Salamis' ancient battle and the Cave of Euripides, where the playwright Euripides came to write his tragedies. The man was described as a misanthrope who avoided society by lurking in that cave, but even so, his 19 plays that survived the time since then are still performed and studied today over the distance of more than two millennia.

Concept art of the Battle of Salamis by artist Court Chu*

If I were to try to sum up the past week and describe my first cruise longer than a day in three words, it would definitely be "an extraordinary experience". Especially the part about learning new things about sailing and trying to be part of a team in close cooperation with colleagues. Being in Greece for the umpteenth time is also special to me, and having the opportunity to talk to locals is another dimension of the travel. Spending most of the time at sea limits that part of the experience, but in this case it was intentional and focused on teambuilding, which is perfectly fine. I am sure there are many methods to achieve this, and sailing is definitely among the top five.
 

Corfu Between Tales and Reality

Among all religious beliefs, the Greek pantheon of colorful gods is perhaps the best described in the history of all human religiosity. There is literally no piece of Greek land, portion of the sea, or tiniest island that has no origin in radiant old mythology. The island of Corfu is no exception as well. Apparently in the mythological history, it was one of those unnamed islands in the region of Scheria where the mighty Poseidon spent a portion of his eternity with the freshwater nymph Korkyra. Their descendants, the Phaeacians, as described by Homer in Odysseus' adventures, inherited the island and named it after Poseidon's lover. The final shape of the island owes its appearance to Poseidon as well, when he separated Paxos from Corfu with his trident in order to create a love nest for him and his wife, Amphitrite (sea nymph this time). I don't blame him; both Korkyra and Paxos are beautiful and colorful islands, and he obviously knew his craft well. I understand his affection for nymphs as well; he was the sea god after all, and in the aftermath of the mythological creation, he alone is most likely responsible for the origin of the human race on a total of 227 Greek islands, including Atlantis, but that's a different story.


However, the reality and history of Corfu are much different and much less idyllic. Being in the cross-worlds in the Middle Ages between the Ottoman Empire and western civilization, the history of Corfu was turbulent, to say the least. The island managed to survive and keep its Greek identity after numerous raids by barbarians and conquests by Europeans during the medieval period. The origin of the first people on the island is not much known. According to Homer, they had some relationship with the Mycenaeans (Dorians), but it is not scientifically proven true. Furthermore, there were no ancient ruins dedicated to Poseidon at all. There are two ruins excavated so far, one of a temple dedicated to Hera and the other, the most significant temple built around 580 BC, dedicated to the goddess Artemis, which was monumental in dimensions for the time. In the above picture is its full, around 20-meter-long pediment portraying a living Gorgon (mythical creatures with hair made of living, venomous snakes, most likely Medusa or one of her sisters).


After ancient times, the island was ruled by the Romans first and then went under the Byzantine Empire. After the Byzantine period ended (around 1267 AD), Corfu was vulnerable to the constant pirate attacks and raids by its neighbors and crusaders and stabilized only when Venetians occupied the island in 1386. These olive trees from the picture above are seeded by Venetians and considered to be more than 500 years old. The Venetians ruled for more than 400 years and ended their rule in 1797. Most of the Venetian dominance left a big mark on today's island architecture, including the large fortress. After that, the island was occupied by the French, followed by a strange alliance of Russians and Turks, then the British, and finally, on 21 May 1864, after the London Treaty, Corfu and all the Ionian Islands united with Greece.


The most important milestone in the history of Corfu happened during the Turkish siege of 1716, when Venetians managed to defend the island and stopped the Turks in their advances toward Europe. Fighting alongside Corfiots were Venetians, Germans, Italians, Maltese ships, Papal galleys, galleys from Genoa and Tuscany, Spanish galleys, and even Portuguese forces. The Turkish failure in Corfu was a historical event of enormous importance—who knows what would happen if the result of the battle went otherwise? However, the other parts of Greece and their southern islands weren't that lucky and went under Ottoman occupation, causing a large number of refugees and migration toward Corfu. In the following centuries, more immigrants arrived from Illyria, Sicily, Crete, Mycenae, and the Aegean islands. Of course, in this small blog story, I didn't mean to go much into historical events, but I always like to learn a bit more about places we travel to. If you want to know more, the reference links below are a good point to start googling.


This summer, we visited Corfu and its picturesque village of Messonghi. At the same point in history, the small village, along with neighboring Moraitika, was established by Cretans and Peloponnesians. With its interesting feature of the Messonghi River, small and nice beach, crystal-clear waters, and amazing people, this village was our host for 11 days of our vacation, and we fully recommend the stay. Beside the archaeological museum, we also visited the Serbian House dedicated to the Great War events and one nice museum called "Casa Parlante", dedicated to the ordinary life of one British aristocratic family from British rule in the middle of the 19th century. The most impact on me personally was the traditional Corfu dishes called Sofrito and Pastitsada, and their recipes dated back 200 years in the past. Last but not least, our big thanks goes to Spyros, his family, and their fine Georgina apartments, where we stayed the entire time.

Refs:
https://atcorfu.com/corfu-history/
https://greeking.me/blog/visit-corfu/item/207-corfu-the-island-of-the-phaeacians
https://en.wikipedia.org/wiki/Corfu
 

Fiction and Reality of Mount Olympus

I was very young when I visited Olympus for the first time. It happened during our early vacation in the region back then, in the eighties of the previous century. I vividly remember there was a dangerous dirt road with not much room for two vehicles to pass by, ending near one of the mounting homes with an embedded small tavern, which can really print on its portfolio that was built on the top of gods' heavenly entrances. For some fairly strange reasons, Coca-Cola and souvlaki on the tavern's terrace felt really tasty, just as the pure and clean water from the water stream just next to it. Unfortunately, and despite all of my efforts, I couldn't see or find anything divine, out-of-worldly items, or even a glowing, shiny rock. There were no gods whatsoever. Or naked muses. Or beasts with snakes instead of hair. Or horses with wings. Or mighty heroes. Nothing. Well, I was only 10 years old. What did I know... Maybe that pair of hawks we saw flying around the highest rock across the tavern and screeching in high tones were actually Apollo and Artemis arguing about something.

On the other end, it might be that I visited Olympus during the gods' withdrawal. Way too early...


But, before I continue with the actual glimpse into modern Olympus fiction and short reviews of one hilarious book and one extraordinary comic, I think I need to write a word or two about the photo I embedded above, which might be interesting to read. This is in fact the Mount Olympus (just like the highest peak shown from the air in the post header). The most famous mountain in the entire world. The mighty one. It is not the highest of them all—just slightly lower than 3K meters and not even the highest in the entire Balkans—but it was the one chosen by gods to build their own abode during the ancient times. Sitting just next to the Aegean Sea, it is the first sight you see when you travel from Thessaloniki to Athens in modern-day Greece. I took this image in 2010 from the beach in the sea resort of Leptokarya, described by Wikipedia as "the former seat of East Olympos municipality, which is part of the municipality of Dio-Olympos". During my countless visits to northern Greece in the past several decades, and all of them during summer holidays, believe it or not, all of my Olympus photographs ended with a similar heavy stream of clouds above mountain peaks. It is like Olympus is always hidden in clouds by some weird meteorological reasons. Well, that was not entirely true, as I have seen Olympus naked on an occasion or two, but still, it was not often. It's like Olympus is attracting the clouds and capturing them to stay and hide its peaks.

This summer, almost forty years after my first excursion to the famous mountain, we took the perfect opportunity to board a tourist bus and venture their Olympian route, following new paved roads carrying people to the multiple resorts within the mountain base and visiting Olympus' main attractions. At least to the point where the road limits heavy buses from proceeding. The tour included the town of Litochoro, the famous Bath of Zeus, Agios Dionysios Monastery, and Old Panteleimon, a picturesque mountainous village on the slopes of the mountain. Surely seeing the sites with your own eyes has no alternative, and the next best thing is to check a couple of those travel guides and stories you can stumble on online, but as far as this post is concerned, I will leave it to my son Viktor to tell you all about it in his channel's video log we both filmed this August. If you find it pleasing, you know the YouTuber's drill - please like and subscribe... ;-)



The mountain definitely contains a beautiful charm of its own, but we all know that Olympus is best known for its part in Greek mythology, and with all its ancient fiction, it has inspired writers all over the world ever since. With some of them, the thin line between fiction and nonfiction is not really visible at once, but in the case of Michael G. Munz's amazing novel called 'Zeus Is Dead: A Monstrously Inconvenient Adventure' one would say it is all about fiction and laugh-out-loud (LOL) moments. The gods in this comedy returned from their withdrawal after more than two thousand years with all of their entourage and got back to the active and mutual life with mortals. And they returned with a twist.

What is most interesting about the old Greek gods, compared to all of the modern religions of today, is that their godhood was not that estranged from their creation like it is now the case with all of those Jerusalem monotheistic beliefs. Greek gods loved to mingle with mortals. And by mingle, you know what I mean, which is especially true with Zeus (probably Dionysis too). In fact, within the opening chapters of the novel, Apollo defined it best when he said that "Gods are just like mortals, only... better." And that means with everything that we can use to describe ordinary people, including conspiracies, hatred, intelligence, stupidity, love, sex, affairs,... It's like the Greek gods possess everything good and bad we mortals experience on a daily basis; only theirs is enhanced and powered off the charts. And of course, they could change appearances into hawks... and do other magical stuff. So, by establishing that, we can safely say that all the gods in "Zeus Is Dead: A Monstrously Inconvenient Adventure" are more than just divine creatures. They are active characters in the story, and along with amazing Michael's narrative, which is playing with the reader on numerous occasions, it is something that gives this book, at least for me, the originality I have never experienced before. The humor is everywhere, especially in the narrative, which on many points requires a fair amount of the reader's geekery and knowledge of ancient mythology. I'll stop here with no further spoiler and only my warm recommendation.


As for the other media dealing with Olympian myths, there are numerous movies, among them "Clash of the Titans" and "Wrath of the Titans", with Perseus played by Sam Worthington and Liam Neeson as Zeus. They were not that bad movies at all, despite all my reservations, and best of all, the script of the second movie offers the answer to the ultimate question of how and why gods from Olympus ended their presence on Earth. Of course, Henry Cavill as Theseus in "Immortals" was also one of the visually great movies, with heavy usage of old Greek myths and Olympian gods in main roles.

On the other hand, the world of graphic novels never disappoints, and Rick Riordan's novels with Percy Jackson adventures recently, after debuts with two motion pictures, transferred into extraordinarily enjoyable comics. The world of demigods in so far two graphic books looks very nice and, I have to admit, much more appealing than in movies. Perhaps because reading comics was my first love from early childhood and/or maybe because these two books were my first comics reading with the Kindle way of presenting graphic novels, but nevertheless, if you are into Olympian myths and love great fiction that emerged from old tales, my recommendation for Riordan's "Heroes of Olympus" series with "The Lost Hero" and "The Son of Neptune" goes without saying.



zViktor22 YouTube Channel
https://www.youtube.com/channel/UCH2BtavSrxaRyvOJS5JZaHQ

Zeus Is Dead: A Monstrously Inconvenient Adventure
http://michaelgmunz.com/books/zeus/

The Lost Hero: The Graphic Novel
http://rickriordan.com/book/the-lost-hero-the-graphic-novel/
 

The Minoan Legacy

Often, I found myself giving a glimpse of thoughts of where I would move on this world in order to acquire at least a little bit better life compared to what we currently have. Or when. Has there ever been a time in history when there was a civilization with a more dignified style of living? With society built with a more honest foundation toward themselves and their neighbors. With equality among people, genders, colors, skin, and different cultures. With not at all or just a hint of superstition and religiosity. With no temples higher than schools and people's homes. With cities without strong police keeping order and without military of any kind. Was there a country without fortifications, both real and metaphorical? With no or just a bearable hostility toward others...

There is definitely no such idealistic settlement in this world. Not now. But there was one before. More than three thousand years ago on the island of Crete. The first civilization in Europe and perhaps the first and last one that fits this description. The place where I would time travel without hesitation if I could.


We know them in our history books as the Minoans, but that wasn't their real name. What they called themselves we don't know. We don't understand their letters and can't read their tablets. They built marvelous settlements with almost all the modern infrastructure we are familiar with today. Glorious city-palaces with paved roads between them. With main squares where they preferred practicing sports and arts instead of going into temples to pray. They were people who invented and lived one idealistic, peaceful life and based their wealth on trades among themselves and all the others across the sea.

Unfortunately, after several attempts throughout eons, human nature and natural catastrophes destroyed Minoan civilization, and these people at the end dispersed fully, and their way of life faded away for good. Among neighboring civilizations and their saved documents, as well as with the Bible, their names were probably either Keftiu, Kaptarians, Caphtor, or Kabturi. Or if you like, we can even call them Atlanteans if we connect Plato's story with the Minoan volcanic eruption that reshaped the island of Thera in the middle of the second millennium BC. Perhaps we should wait for their Linear A script to be revealed by maybe another Rosetta Stone, but until then, Sir Evan's label for Minoans based on the old Greek mythology is the best we've got. Nevertheless, this blog post is not really history research, and more stories about related old times I tried to list below in the references, but one thing is for sure. The end of Minoan culture, which started with earthquakes and at least one cataclysmic volcanic eruption, faded and dispersed during the final couple of centuries of the second millennium with hostile raids and occupations over time from both directions: mainland Greece in the face of old Mycenaeans and ancient invaders from the direction of the Middle East.


However, their life based solely on manufacturing goods and food, honest trade, sports, arts, and all the non-hostile human activities was once indeed possible and flourishing. Unfortunately, their legacy is, as it seems, lost for good, and after more than three and a half thousand years, we are living in a world filled with fear of self-destruction with little hope for humanity to survive the next three millennia. Anyhow, the road, or to better say, the airplane, took us this summer to the island of Crete, and we landed at the Chania airport, which is also the military base that hosts both air and nearby naval forces. The sight of supersonic fighters constantly flying above the beaches, heavy military aircraft parked next to the civilian runway, and large destroyer ships anchored in Souda Bay was definitely not something old Minoans would evolve into if history played the cards differently. After visiting the Knossos archeological site and the wonderful museum in Heraklion dedicated to these ancient people, I am certain of it.

Caused by the city's amazing scope and Minoan fascination for bulls, centuries after the fall of civilization, Greek mythology created one of the most famous stories with characters as strong as Daedalus, Icarus, King Minos, Theseus, and, of course, the Minotaur captured in the center of the labyrinth. On the other side, the most plausible truth of why Knossos was built the way it was built is simply because Crete was positioned on top of the movement of the African tectonic plate under the Eurasian plate. This is causing lots of earthquakes, small and big, and results from the complex geological process; the entire eastern side of the island is sinking while the western part is rising. The ancient builders purposely made the palace in this way in order to sustain constant ground shake, with buildings and chambers literally supporting each other from all directions.


It probably goes without saying that I am fascinated with Greece and the Greeks. Their amazing history and all the contributions their ancestors gave to the rest of the world are enormous. With this summer trip, I rounded out walking the lands of all three main stages of ancient Greek times. Classical Greece that belongs to the mainland north of Sparta, the Mycenaean epoch that precedes them in the time of Agamemnon, and now the ancient civilization of Minoans that precedes them all. Surely, there are many more sites to see, but somehow I felt today that I fulfilled the genuine urge to visit all the main places and to walk the same paths where stories from history (and mythology) took place.

Our prime vacation time this summer was in Agia Marina, a cute little place several kilometers west of Chania, where we spent a wonderful ten days exploring local beaches and took an excursion to the old Venetian harbor in the old city and its nautical museum with an exact replica of the Bronze Age Minoan ship. The second trip to Heraklion and Knossos completed our travel through the history of the island, and the following day-by-day travel video clip Viktor and I made hopefully will show you more than still images could, especially if you have never visited Crete before.


Surely, summer vacations are never about visiting museums and the history of the area. It is also about the present, and in the most hedonistic fashion, we also visited the Balos Lagoon, one of the greatest beaches in Europe, and, most of all, tried to enjoy the time by meeting local people and visiting local sites and the neighborhood. It is hard to say what we liked the most, and I guess the best thing is to say that Crete is an exceptional place to visit. Something we will definitely try to do again. Many thanks to all the good people we met this July, especially to the crew of Fly Fly Travel and their great guides, Nebojša and Dobrivoje, for all their super-professional work and help.

Image and video refs:
https://photos.app.goo.gl/Tp8ugeNBg07zE9q52
https://www.greecehighdefinition.com/greece/

Refs:
http://www.odysseyadventures.ca/articles/knossos/articleKnossos01.html
http://paleoglot.blogspot.rs/2010/01/minoan-name-for-minoa.html
http://www.minoanatlantis.com/Minoan_Science.php
http://www.bbc.com/news/science-environment-22527821
https://en.wikipedia.org/wiki/Knossos
https://www.timemaps.com/civilizations/minoan-civilization/
http://ancient-greece.org/history/minoan.html
https://en.wikipedia.org/wiki/Linear_A
https://en.wikipedia.org/wiki/Minoan_civilization
https://www.saylor.org/site/wp-content/.../HIST101-2.3.2-MinoanCrete-FINAL.pdf
http://www.ancient.eu/Minoan_Civilization/
 

Super 8

The history of motion pictures dates back to the second part of the 19th century with photographers like Étienne-Jules Marey and Eadweard Muybridge, who, among others, were the first to take several images per second in one effort—all for scientific purposes back then—to study the locomotion of birds, animals, and humans. For example, Muybridge was the first to take a series of photographs of a galloping horse in order to prove that in one single instant of time all four horse legs are not touching the ground. More or less at the same time on another continent, Marey created a shotgun-shaped camera capable with one trigger pull of capturing 12 images in a row within one single second and storing them all on the single 90 mm film. He used his gun to study various motions of animals, fish, and insects within his so-called 'animated zoo', including dropping cats from different heights and filming them always landing on their feet.

ELMO Super 106, 8mm movie camera

It was not long after initial chronophotography efforts and enthusiasm in the 19th century that the 'evolution' of motion pictures diverted heavily into entertainment and cinematography. The history of films and fun started almost with the start of the 20th century, but in the spirit of today's title, 'domesticating' films within ordinary people and human homes waited another 65 years for the invention of Super 8, or, to be precise, the improvement of Kodak's standard 8mm film from 1932 into a more efficient surface with a bigger width for the frame itself and significantly smaller perforation on the film's right edge. After they introduced it at the 1964-65 World's Fair, Super 8 instantly became the very first home video format with light cameras capable of filming 18 frames per second and more than 3 minutes of the movie per small film cartridge.

To say that my father was a film enthusiast in the second part of the sixties and the entire seventies would be an understatement. It was natural for him to go the step further and, in addition to the several analog SLR cameras and darkroom equipment for developing photos, to invest in home movies. Spending time in the darkroom and hanging photos on the wire were some of the most thrilling experiences of my childhood, but when Super 8 came, another world opened. I was too young to operate the camera, but on the occasion or two I remember, I did hold it and press the red button, especially during our vacations in Greece. Well, aside from those rare moments, most of the time my job, with being a kid and all, was to be in front of the camera and not behind it.

Tondo Super 8 Projector and LG Nexus 5 in action

But to cut the story short, this month I did something I was delaying for a long time. During the last two weeks, every night I was descending into my own customized darkroom equipped with a tiny Super 8 projector and digitalizing our family films. Twenty of those survived over time, and with a speed of two per day, I projected them on the wall and filmed them all with my smartphone. It was far from being an ideal setting, but this was the best I could do. I tried different approaches, filming from different distances, using different settings, and using my DSLR Nikon in the beginning. I even tried to project the film directly into the DSLR, but all my efforts failed due to not having proper lenses and objectives, and in the end, the smartphone was the chosen solution, and it did a better job in the dark than the Nikon.

With more expensive equipment, I am sure the results would be much better, and probably the weakest link was the cute and old Italian Tondo projector, which was my father's portable cinematic projector. I did try with a bigger 'player' first, but despite all my efforts, I couldn't manage to repair the old and superb Crown Optical Co. Ltd. Auto-P, a silent Standard and Super 8 film projector, our primary projector capable of displaying big and crisp screens on the large walls and with much better quality. To be honest, it's more than half a century old and built with nowadays rare parts, especially the missing lamp that is hard to find these days, but I didn't give up, and perhaps in the future, if I stumble on some solution (read it: an eBay sort of solution), I will repeat the effort, at least for those videos filmed indoors.


Nevertheless, all twenty rolls now come with twenty MP4s, and for this occasion I decided to create two movie collages with six movies each. They are all filmed in the late sixties, during the seventies, and in the early eighties with an ELMO Super 106 camera from the first image. The first one, embedded above, contains six films from our early vacations in Greece, and in chronological order, they are filmed in the Acropolis of Athens, Zeitenlik, the World War I memorial park in Thessaloniki, vacation resorts in Kamena Vourla, Asprovalta, Katerini Paralia, and two vacations in the vicinity of the port city of Volos.

The second collage is from our home and village in Niš and Guševac in Serbia. Mostly it focuses on my sister's and my babyhood and early childhood, birthday parties, family gatherings, and excursions. Also our old house that is now gone and the old shape of our country village front yard. This video also contains one of the rare black-and-white films from our collection that probably originated from different cameras and settings.


This entire effort triggered lots of memories and emotions from almost forty years ago, and seeing people live, especially those that are not alive today, is something extraordinary that regular photography cannot induce. Perhaps we today, with all of our pocket gadgets, are taking video clips and home photography for granted, but before, in the Super 8 era, this was a completely different experience. What we today do with just two taps on the screen, before you had to do in a more complex manner, including purchasing film cartridges, carefully planning (directing) filming sequences for a 3-minute film, sending it to development, organizing cinematic sessions...

One thing is for sure: Super 8 was the origin of what we have now in our homes. It was eventually replaced with VHS tapes in the 80s, but at the dawn of the 21st century, the analog period came to an end, and old-fashioned home gadgets were replaced with home digital camcorders first and, in the very last decade, with smartphones. To tell you the truth, it is nice to have a camera in your back pocket, it is, but somehow, with me, as I witnessed the origin of the entire process in my early childhood, the nostalgia for the analog days gave me another layer of the entire experience. Something special and extraordinary for sure.

'Super 8,' a sci-fi movie by J.J. Abrams

Perhaps for the best conclusion for this post, it would not be fair not to mention one of J.J. Abrams' greatest movies from 2011. Simply named 'Super 8', it tells a main sci-fi story about an alien encounter, but everything is perfectly wrapped within a background story of school kids trying to film a short movie for a Super 8 festival. It was really a great movie, and if you liked E.T. before, this is definitely a decent sequel and one of my favorites.

Refs:
http://www.kodak.com/id/en/consumer/products/super8/default.htm
https://en.wikipedia.org/wiki/List_of_film_formats
http://www.retrothing.com/2009/09/tondo-super-8-projector
http://www.hollywoodreporter.com/news/super-8-jj-abrams-says-194908
 

Cyclops of Peloponnese

Another 'Greek' vacation came to an end after we chose to take and risk a little, probably the longest drive toward the ancient civilization cradle in the history of all of our summer vacations. Driving in a row for 14 hours was not exactly as fun as expected, but in the end, when I put all the 'pros' and 'cons' together after a couple of years of planning and anticipating our first visit to the famous Peloponnese, it was worth the wait. But before a story about sites we visited, I'd like to share some thoughts about the journey itself. This year it was the weakest link of our entire vacation, and little 'pros' can be taken out of it. First of all, it was too long, and with 40+ degrees Celsius outside, it was far from being pleasurable and relaxing. If you add to the 'cons' list too many moments with driving poor roads and unnecessary waiting time on borders and tolls, especially within the transiting country of Macedonia (FYROM), I am not far from the decision that next time we will be choosing a different route for the travel to Greece and most likely booking the plane instead or, for smaller trips, checking out the new highway the European Union is currently building in Bulgaria.


Fortunately, all the 'cons' ended with the journey alone, and all the good mood and perfect vacation spirit recovered fast as soon as all the 'pros' overcame in days of one full week of our second vacation south from Greek Macedonia and our first visit to the Greek capital, its municipality area, the Corinth Canal, and ancient Peloponnese.

Perhaps the most exciting time we spent during the first couple of days was filming the remaining scenes for our short film "Game of Life" (embedded below), which we were playing with all summer long. It all started pretty benign and just like another father-son playtime, but somehow it evolved into a real project with a decent storyline, filming scenes on four major locations, and also using chroma keying technology with a green background for dialogues. With the last scene taken in Greece, we now have 90+ video files in total. Anyhow, this was one of our best plays so far, and we both enjoyed it very much with all the bloopers and improvisation. Most importantly, this film would not be possible without a lighthouse, as it plays a major role in the story, and we found it just 20 kilometers from our hotel with tremendous views of the entire Corinthian Gulf. We spent three days on the site and nearby beach and finished all the 'Greek' scenes. In the above photo, Viktor, with our 'nerf' portal stone preps, is posing in front of 'Faros Melagavi', built on the rock near the 'Vouliagmenis' lake where we filmed the last portal scene and also just next to the ancient archaeological site of 'Heraion of Perachora'—a sanctuary occupied by a real oracle, just like the one in Delphi, dedicated to the goddess Hera and built in the 9th century BC. Here, just next to the old ruins of the temple of Hera, I found a stone perfect for a green screen scene we already filmed in our living room 'studio' and more or less successfully merged it into the film's main dialog.


In a way, we were, sort of, pioneers in exploring Corinthian vacations from Serbia. This was actually only the second year for travel agency "Balkan Fun" to organize a stay in Loutraki, a seaside resort located in the Gulf of Corinth and just a couple of kilometers from the western exit of the Corinth Canal. It is actually a thermal spa center known from ancient times with natural water springs with multiple healing abilities. If you bought bottled water in Greece anytime in the past, the chances are that some of them are from Loutraki Spa. We stayed in the hotel 'Mon Repos', a very nice old hotel with a genuine 'Otis' elevator from the middle of the previous century. If you watched 'Kate and Leopold', you probably know what I mean. The town is not perfect for families per se; the beach is not sandy and wide, and deep water comes very soon from the rocky part, but if you are in your twenties, with the famous hotel Casino and numerous nightclubs, you are in the right place. If you are older and with small kids, don't forget to come here with the car so you can be able, like we did, to explore the neighborhood.

Anyways, we chose to come here with 'Balkan Fun', not only because they were the only agency offering Loutraki for the fair prices, but also because of their numerous bus excursions to Athens and the Peloponnese. Anja Bačanin, our travel guide, did a perfect job organizing the tour, and with her 'radio host' voice in decent buses, she perfectly provided all the information needed. I admired her for her ability to tell a story with thousands of years of ancient times perfectly wrapped into just five or ten minutes. Not all travel guides can do that, and with these words, this is our thanks for all her efforts during our stay and especially for the two excursions we shared with the group.


And from two excursions on the Greek mainland, one was a visit to the ancient Acropolis of Athens, which was one unforgettable day. Especially for me, as this was my second visit to the site, with the first one being when I was younger than my son today. I still have a scanned image of me in the Acropolis some 40+ years ago, and all my efforts to find the same amphora where my old photo was taken failed, probably due to the fact that a new museum opened in the foothills of the site since then and all small artifacts are probably moved there. Still a couple of 'déjà vu' memories triggered in my mind, especially at the gate. Too many years passed, I guess—I was perhaps 3 or 4 years old, and it is not easy to remember things from that distance in time. I am still happy I experienced a couple of flashes of familiarities and resemblances.

The second excursion was named 'Discovering Peloponnese', and it widely justified its name. To be honest, quietly I was all in for this vacation this year, just because of this trip and especially for a chance to visit the Mycenae fortress. Within the second millennium of BC, Mycenae was one of the major and only centers of Greek civilization, and if you ask me, all the ancient Greek times later, including 'Classical Greece', which flourished for a couple of hundredyears and started somewhere in the 5th century BC, have to thank their origin in Mycenae. It was populated all the way from Neolithic times, ever since probably the last ice age, but the most prosperous times were around 1350 BC, at its peak when the entire site was built in a famous Cyclopean masonry style with massive limestone boulders and no use of mortar of any kind. In Greek mythology, Cyclops, the one-eyed giants, supposedly lived before the last ice age and, in ancient times, were the only ones capable of lifting stones, and some of them we saw on site were larger than two meters in height and probably weighed tons. Well, if you ask me, the Cyclop builders in this and any other case were probably elephants, strong horses, and "expendable" slaves, but still, the ingenuity of the old masons never disappoints. Their ingenuousness and beautiful museum with alien-like artifacts are something I will remember for a long time.


The peak of Mycenae dated just a couple of centuries after the devastating volcanic eruption of Thera, or the well-known Minoan eruption of the island today known as Santorini. I wrote more about it in the posts Aegean Sea and Atlanteans, but in a nutshell, there is a theory that survivors of the old Minoan civilization (Atlanteans?) or at least some of their ancestors, after the eruption, came here and founded Mycenae in the first place or mixed with natives. Artifacts found that resemble Minoan deities are one of the pieces of evidence that it might be true, along with similarities in the written language used. That's the history and scientific hypotheses, but as far as mythology says, Mycenae is founded by legendary Perseus, a demigod, the son of the ultimate god Zeus and mortal woman Danaë, daughter of King Acrisius of Argos. If you didn't see "Clash of the Titans" and "Wrath of the Titans" with Perseus played by Sam Worthington, go ahead and "rent" them; they were not that bad movies at all, despite all my reservations, and best of all, the script of the second movie offers the answer to the ultimate question of how and why gods from Olympus ended their presence on Earth.

Of course, the excursion was not only about the ancient Greeks—we were privileged to visit the Corinth Canal itself, the legendary sanctuary of Epidaurus with an amazing amphitheater, probably bigger than the one in the ancient Hierapolis of Pamukkale in present-day Turkey, and most of all, the old capital city of Greece—Nafplio, an amazing city with a colorful history that one time in the middle ages was ruled by the Republic of Venice. It was the capital of the First Hellenic Republic and of the Kingdom of Greece in the early 19th century, and its mixed architecture is still visible today. Viktor and I visited their small and wonderful war museum that is hosting many items and stories about the last millennium, including a model of the Venetian warship from the time.


Sometimes I wonder if one lifetime is enough to visit all of Greece and its ancient and modern sites and cities. Probably not. One thing is for sure. More summers are waiting ahead.

Anyway, this vacation gave us lots of knowledge and experience, and I am sure with this year there are fewer and fewer sites still waiting to be explored and seen. Aside from a couple of Aegean islands still on my to-do list, regarding Peloponnese, I still have a couple of regrets, especially if I think of Sparta and ancient Olympia. Speaking of Sparta, what we didn't miss and stopped to see during our journey was the "ΜΟΛΩΝ ΛΑΒΕ" monument, next to the highway and old site where the famous battle of Thermopylae happened. Leonidas I, as I wrote in the posts Fishermen and Pirates of Evia and Warfare Then and Now, led a small army to defend Greece from Persian invasion in August 480 BC. He failed to defend Greece from Xerxes' large army at Thermopylae, but even today, after 2500 years, his bravery will be remembered as the greatest last-stand battle ever recorded. Not to mention the movie and famous line "This is Sparta", which is not only artistically perfect but also not too far distant from the facts as well.


ps.
I rarely publish on the blog personal photos that are not ours, especially not selfies, but this post deserves an exception. The following image is made by Anja, our guide. Great colors and style. Well made. I mean it. We are somewhere in the picture, and not just us; behind the group to the left is my backpack, which I accidentally forgot to bring with me, and coincidentally, where it stands is the exact spot where the first image from this post was taken.

As for the rest of the images in the post, this time I chose to include only selected photos that are following the story, but there are more, and all of them are in the album named, well, you probably guessed, Cyclops of Peloponnese. Needless to say, I recommend the entire destination, travel agency, and all the excursions.


Image refs:
https://goo.gl/photos/rLdZuPdaApQTCv5N8

Refs:
http://www.visitloutraki.com/
http://www.nafplio.gr/en/sightsmenu/stateandprivatemuseums/warmuseum.html
http://www.fungroup.rs/
https://www.facebook.com/anja.bacanin
 

Thassos Island Today and Before

The age of this blog is both old, in the sense of the fast maturing of the internet and IT technology in general, but also very young if we are counting human age in the old-fashioned way. When we first visited Thassos Island a dozen years before, the internet and social sharing technology were about to enter their unstable teenage years, so to speak. It was the time when I bought my first digital camera, the HP PhotoSmart C850, with its state-of-the-art optics and digital technology from the time. Pictures from Thassos back then in the summer of 2003 were probably my first attempt to take more artistic landscapes from our Greece vacations, and today is perhaps the time to compare both what changed in photography gadgets and also Thassos itself after a full 12 years.


Let's start with images first. After 12 years in time distance, I decided to choose the same number of images for this post—half of them shown above, all taken with the HP Photosmart C850 with a 4-megapixel CCD sensor, and half below, taken from this summer vacation with the Nikon D5200 and CMOS sensor with approximately 20 megapixels more than in the old HP. It is insufficient to say that 12 years of maturing of technology in optics, hardware, and software is easily noticeable.

As for Thassos Island, very little changed over the years. Local people are still the same, very hospitable and friendly; beaches are the same as they probably were hundreds of thousands of years before; the Aegean Sea is still crystal clear, just like in the time of Zeus; the company and the sun are the same hot, like in all Julys in previous millenniums and eons.

What is a little different are the people who are visiting Thasos—this year there were more tourists from Eastern European countries, like Romania, Bulgaria, Moldavia, Ukraine, and Russia, and fewer from Western Europe, which is probably the result of the anti-Greece media campaign due to the political conflict between the Greek government and the EU and the financial crisis in Greece these years. I have to say that at least during our stay on Thassos I couldn't notice any crisis or any problems whatsoever. Man-made crises are always like that; they always have profusely enhanced exposure in media, and the truth is never on either side in conflict and never in media. I know it is a cliche, but you have probably heard the phrase "trust no one", and if you ask me, it is always the ultimate truth when it comes to raw propaganda and news in media, especially if it is related to some political affairs like the current one in Greece vs. the EU (and by EU you can freely read Germany).

http://www.thassos-island.com/
 

Atlanteans

If I am going to give a thought or two about ancient Atlantis, its mysterious people, and all the conspiracy theories behind it, there is no doubt that I'll first think of the origin of the story. Classical Greece and Plato. One of the most famous scholars from BC. In his own time, Plato was definitely the top Greek philosopher from ancient Athens, who lived in the fourth century before Christ and dedicated his entire scholarly life to philosophical research and development of modern society and politics. The method he used in his publications was dialogues, a very popular way of expressing scientific thoughts at the time. Plato's dialogues, in which he never took the role as one of the participants, were often the front story accompanied with narration, but in some of them he even excluded the narrator and presented his work in pure novel style, with his characters carrying the story all the way.


In regard to today's title, two dialogues are especially interesting—Timaeus and Critias. Participants in the dialogues were Socrates, Timaeus, Hermocrates, and Critias, and Plato tried to describe the perfect society time-framed way back before the old Classical Greece. In short, these two dialogues describe a tale from a man called Solon, another Athenian, who, during his travels throughout ancient Egypt, learned about mysterious people who lived and perished many generations before. Twenty years or so before these dialogues, Plato had written his masterpiece "The Republic", in which he discussed what he thought of an ideal state with a 'just man' and the meaning of justice in general from the point of view of Greek cities from the classical time. His ideal state was named 'Ancient Athens', placed in existence 9000 years before Plato's time (or 900 if the suggested error in translation is true), and governed with a superior and almost utopian society. As it seems, Atlanteans are used in Plato's books just as an example of how even the enemy that was so powerful, beyond any current comprehension, is incapable of defeating a perfectly regulated society. After that the story went wild, and Atlanteans, who tried to enslave the entire Mediterranean, were easily defeated by 'utopian' and perfectly organized Athenians. In the aftermath, their superb armada retreated to their island, and the gods in their final rage destroyed the entire Atlantean civilization, which Plato described in his famous words, "There occurred violent earthquakes and floods, and in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea." In the second dialogue, "Critias", Plato described in more detail the origin of the 'ancient' Atlanteans, with extensive use of old Greek mythology, as Poseidon's heaven, who created a perfect society that ultimately, over time, started to fade out as soon as they started losing their divine origin and got overwhelmed in corruption.

Today, we have great knowledge about ancient Greek times, and so far there are no scientific facts in favor of "ancient of the ancient" Greek society that is older than 3 millenniums BC, who fought mighty civilizations that came from the other side of the Pillars of Hercules and both vanished without a single trace. However, there is a faint clue and tons of theories of where Plato really found inspiration for this incredible tale.

Reconstruction of a late Cycladic Ship (© 7reasons, Michael Klein)*

As for the faint clue, I would vote for the ancient Minoan civilization and their predecessors, who preceded the Greeks in the Aegean and suffered ultimate decimation from both natural disaster and human invaders. They lived on the island of Crete within the ancient settlements of Knossos and Gortyn and also on the northern Aegean island of Thera (Santorini) in the ancient site of Akrotiri, which, just like Roman Pompeii, is remarkably preserved after the tremendous volcanic eruption. Their civilization flourished in the late Bronze Age and, like in Plato's words, within a single day and night, around the year 1600 BC, disappeared into the sea in one of the most powerful volcanic eruptions in the history of the entire world. What is today known as 'The Minoan eruption of Thera', seismologists tend to classify as four times more powerful than the well-known explosion of Krakatoa. If Minoans had more settlements in the neighborhood, which was likely, they were all destroyed and sunk during the natural reshaping of the archipelago. A massive eruption, no doubt, created a large tsunami wave that probably reached all the way to Crete and ultimately decimated the Minoan people in the northern part of the island. In the following years, pirates and thieves from the sea and land took the chance and made sure for Minoans to never recover to what they once were.

Well, in conclusion and after this small history glimpse, if you ask me, there is a fair chance that Plato's Atlanteans are truly based on ancient Minoans. After all, 2300+ years ago, in Plato's time, the world wasn't big, and the entire cradle of the civilization, as we popularly call Greek Classical times, was small and all about the Aegean Sea. Even the Mediterranean was too large for wooden galleys and far travels. Ancient Minoans came to the Aegean two millennia before Plato, and after their misfortune, I am sure the legends and myths about them grew slightly above the facts. Still, their language, clay tablets, art, pottery, architecture, and overall history prove they once were a very respectful and organized society.


There is no doubt that Atlanteans from Plato's 'Timaeus and Critias' served just a supporting role in this piece of philosophy, but still, ever since, the Atlantis story has had a large impact on literature, comic books, and movies. They are used in tons of novels and portrayed as an insanely advanced civilization with all the technological wonders, perfect cities, flying ships, state-of-the-art armory, etc. There is no bay or gulf in the Mediterranean Sea and Atlantic Ocean all the way to the Caribbean that some rich adventurer or scholar didn't try to find the Atlantean ruins or at least to post a new theory of the Atlantis site or a conspiracy theory of some sort. To be honest, I am really ok with that—if you look at it from the entertainment point of view, what you get is very much fun, and if you read it on the beach, it surely adds another level to your vacation time.

This is exactly what I did this summer, and during our ten days of R&R on Thassos Island of the northern Aegean, I loaded all three books of The Origin Mystery on my Kindle and swallowed them all in record time. Honestly, from this trilogy I expected a lot, and this is exactly what I got! You have to be brave to make yet another novel about Atlanteans, and A.G. Riddle wrapped it just right. He managed to connect several sci-fi genres into one successful story. For my taste all the sciences are there and connected perfectly. Biology, virology, genetic research including junk-DNA involvement, physics and space travel, quantum entanglement, Antarctica, known history, and the use of connection and conspiracy theories like the Nazi bell (Die Glocke) or the Roswell UFO sighting. Play with time dilation and hibernation. Space battles of enormous proportion. Explanation of gods and ancient astronauts. If you add the usual 'Indiana Jones' type of adventures and romance, there was no better choice for me this July. Perhaps, using so many connected sciences in the plot is too risky, as the author faces the challenge of choosing what is more important and deserves to be explained better at the expense of other technologies or speculations, but I don't mind. All in all, Riddle's Atlanteans are perhaps the best version I've read in a long while, and I warmly recommend it.

Reconstruction of the Akrotiri Supervolcano (© 7reasons, Michael Klein)*

As for the real Atlanteans, or in this case ancient Minoans, I hope some of next summer will lead us to the southern Aegean, and then this story will earn another post in the thread. No doubt with images from ancient Akrotiri. In the meantime, don't miss the below link with incredible scientific reconstructions from before the Minoan Eruption made by the Ludwig Boltzmann Institute for Archaeological Prospection and Virtual Archeology (LBI ArchPro).

Image credit:
* The Akrotiri Supervolcano (© 7reasons, Michael Klein)